EchoPark - Michael Connelly Page 0,3

intrusive.”

“No problem with any of that. I’ll see what I can dig up on the numbers.”

They left the apartment and walked with Kay back to the elevator. They said good-bye to the manager and went down, the steel cube lurching again before smoothing out on the descent.

“Harry, I didn’t know you love Italy,” Edgar said.

“I’ve never been.”

Edgar nodded, realizing it had been a tactic to draw Kay out, to put more alibi information on record.

“You thinking about him?” he asked.

“Not really. Just covering the bases. Besides, if it was him, why put the car in his place’s own garage? Why call it in?”

“Yeah. But then, maybe he’s smart enough to know we’d think he’d be too smart to do that. See what I mean? Maybe he’s outsmarting us, Harry. Maybe the girl came to look at the place and things went wrong. He hides the body but knows he can’t move that car because he might get pulled over by the cops. So he waits ten days and calls it in like he thinks it might be stolen.”

“Then maybe you should run his Italian alibi down, Watson.”

“Why am I Watson? Why can’t I be Holmes?”

“Because Watson is the one who talks too much. But if you want, I’ll start calling you ‘Homes.’ Maybe that would be better.”

“What’s bothering you, Harry?”

Bosch thought of the clothing neatly folded on the front seat of the Honda. He felt that pressure on his insides again. Like his body was wrapped in wire being tightened from behind.

“What’s bothering me is that I’ve got a bad feeling about this one.”

“What kind of bad feeling?”

“The kind that tells me we’re never going to find her. And if we never find her, then we never find him.”

“The killer?”

The elevator jerked to a hard stop, bounced once and came to a rest. Bosch pulled open the doors. At the end of the short tunnel that led to the cul-de-sac and the garages, he saw a woman holding a microphone and a man holding a television camera waiting for them.

“Yeah,” he said. “The killer.”

Part One THE KILLER

1

THE CALL CAME IN while Harry Bosch and his partner, Kiz Rider, were sitting at their desks in the Open-Unsolved Unit, finishing the paperwork on the Matarese filing. The day before, they had spent six hours in a room with Victor Matarese discussing the 1996 murder of a prostitute named Charisse Witherspoon. DNA that had been extracted from semen found in the victim’s throat and stored for ten years had been matched to Matarese. It was a cold hit. His DNA profile had been banked by the DOJ in 2002 after a forcible rape conviction. It had taken another four years before Bosch and Rider came along and reopened the Witherspoon case, pulled the DNA and sent it to the state lab on a blind run.

It was a case initially made in the lab. But because Charisse Witherspoon had been an active prostitute the DNA match was not an automatic slam dunk. The DNA could have come from someone who was with her before her killer turned up and hit her repeatedly on the head with a two-by-four.

So the case didn’t come down to the science. It came down to the room and what they could get from Matarese. At 8 a.m. they woke him up at the halfway house where he had been placed upon his parole in the rape case and took him to Parker Center. The first five hours in the interview room were grueling. In the sixth he finally broke and gave it all up, admitting to killing Witherspoon and throwing in three more, all prostitutes he had murdered in South Florida before coming to L.A.

When Bosch heard his name called out for line one, he thought it was going to be Miami calling him back. It wasn’t.

“Bosch,” he said after grabbing the phone.

“Freddy Olivas. Northeast Division Homicide. I’m over in Archives looking for a file and they say you’ve already got it signed out.”

Bosch was silent a moment while his mind dropped out of the Matarese case. Bosch didn’t know Olivas but the name sounded familiar. He just couldn’t place it. As far as signed-out files went, it was his job to review old cases and look for ways to use forensic advances to solve them. At any given time he and Rider could have as many as twenty-five files from Archives.

“I’ve pulled a lot of files from Archives,” Bosch said. “Which one are we talking about?”

“Gesto. Marie Gesto.

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