The Early Asimov Volume 3 - By Isaac Asimov Page 0,4

read a speech on 'The Place of the Mystery Novel in American Literature' in an appalled tone. Not even the fact that his own eternally precious June had written it (part of the bribe to get him to speak in the first place) could mask the fact that it was essentially tripe.

And then when he was weltering, figuratively speaking, in his own mental gore, the harpies closed in, for lo, it was time for the informal discussion and assorted feminine gush.

- ...Oh, Mr. Dorn, do you work from inspiration? I mean, do you just sit down and then an idea strikes you - all at once? And you must sit up all night and drink black coffee to keep you awake till you get it down?

- Oh, yes. Certainly. (His working hours were two to four in the afternoon every other day, and he drank milk.)

- ...Oh, Mr. Dorn, you must do the most awful research to get all those bizarre murders. About how much must you do before you can write a story?

- About six months, usually. (The only reference books he ever used were a six-volume encyclopedia and year-before-last's World Almanac.)

- Oh, Mr. Dorn, did you make up your Reginald de Meister from a real character? You must have. He's oh, so convincing in his every detail.

- He's modeled after a very dear boyhood chum of mine. (Dorn had never known anyone like de Meister, He lived in continual fear of meeting someone like him. He had even a cunningly fashioned ring containing a subtle Oriental poison for use just in case he did. So much for de Meister.)

Somewhere past the knot of women, June Billings sat in her seat and smiled with sickening and proprietary pride.

Graham passed a finger over his throat and went through the pantomime of choking to death as unobtrusively as possible. June smiled, nodded, threw him a delicate kiss, and did nothing.

Graham decided to pass a stern, lonely, woman-less life and to have nothing but villainesses in his stories forever after.

He was answering in monosyllables, alternating yesses and noes. Yes, he did take cocaine on occasion. He found it helped the creative urge. No, he didn't think he could allow Hollywood to take over de Meister. He thought movies weren't true expressions of real Art. Besides, they were just a passing fad. Yes. he would read Miss Cram's manuscripts if she brought them. Only too glad to. Reading amateur manuscripts was such fun, and editors are really such brutes.

And then refreshments were announced, and there was a sudden vacuum. It took a split-second for Graham's head to clear. The mass of femininity had coalesced into a single specimen. She was four feet ten and about eighty-five pounds in weight. Graham was six-two and two hundred ten worth of brawn. He could probably have handled her without difficulty, especially since both her arms were occupied with a pachyderm of a purse. Still, he felt a little delicate, to say nothing of queasy, about knocking her down. It didn't seem quite the thing to do.

She was advancing, with admiration and fervor disgustingly clear in her eyes, and Graham felt the wall behind him. There was no doorway within armreach on either side.

'Oh, Mr. de Meister - do, do please let me call you Mr. de Meister. Your creation is so real to me, that I can't think of you as simply Graham Dorn. You don't mind, do you?'

'No, no, of course not,' gargled Graham, as well as he could through thirty-two teeth simultaneously set on edge. 'I often think of myself as Reginald in my more frivolous moments.'

'Thank you. You can have no idea, dear Mr. de Meister, how I have looked forward to meeting you. I have read all your works, and I think they are wonderful.'

'I'm glad you think so.' He went automatically into the modesty routine. 'Really nothing, you know. Ha, ha, ha! Like to please the readers, but lots of room for improvement. Ha, ha, ha!'

'But you really are, you know.' This was said with intense earnestness. 'I mean good, really good. I think it is wonderful to be an author like you. It must be almost like being God.'

Graham stared blankly. 'Not to editors, sister.'

Sister didn't get the whisper. She continued, 'To be able to create living characters out of nothing; to unfold souls to all the world; to put thoughts into words; to build pictures and create worlds. I have often thought than an author was