Dune (Dune #1) - Frank Herbert Page 0,182

Giedi Prime like a hollow gourd?”

The Baron studied his Mentat, then: “He wouldn’t dare!”

“Wouldn’t he?”

The Baron’s lips quivered. “What is your alternative?”

“Abandon your dear nephew, Rabban.”

“Aband ….” The Baron broke off, stared at Hawat.

“Send him no more troops, no aid of any kind. Don’t answer his messages other than to say you’re heard of the terrible way he’s handled things on Arrakis and you intend to take corrective measures as soon as you’re able. I’ll arrange to have some of your messages intercepted by Imperial spies.”

“But what of the spice, the revenues, the—”

“Demand your baronial profits, but be careful how you make your demands. Require fixed sums of Rabban. We can—”

The Baron turned his hands palms up. “But how can I be certain that my weasel nephew isn’t—”

“We still have our spies on Arrakis. Tell Rabban he either meets the spice quotas you set him or he’ll be replaced.”

“I know my nephew,” the Baron said. “This would only make him oppress the population even more.”

“Of course he will!” Hawat snapped. “You don’t want that stopped now! You merely want your own hands clean. Let Rabban make your Salusa Secundus for you. There’s no need even to send him any prisoners. He has all the population required. If Rabban is driving his people to meet your spice quotas, then the Emperor need suspect no other motive. That’s reason enough for putting the planet on the rack. And you, Baron, will not show by word or action that there’s any other reason for this.”

The Baron could not keep the sly tone of admiration out of his voice. “Ah, Hawat, you are a devious one. Now, how do we move into Arrakis and make use of what Rabban prepares?”

“That’s the simplest thing of all, Baron. If you set each year’s quota a bit higher than the one before, matters will soon reach a head there. Production will drop off. You can remove Rabban and take over yourself… to correct the mess.”

“It fits,” the Baron said. “But I can feel myself tiring of all this. I’m preparing another to take over Arrakis for me.”

Hawat studied the fat round face across from him. Slowly the old soldier-spy began to nod his head. “Feyd-Rautha,” he said. “So that’s the reason for the oppression now. You’re very devious yourself, Baron. Perhaps we can incorporate these two schemes. Yes. Your Feyd-Rautha can go to Arrakis as their savior. He can win the populace. Yes.”

The Baron smiled. And behind his smile, he asked himself: Now, how does this fit in with Hawat’s personal scheming?

And Hawat, seeing that he was dismissed, arose and left the red-walled room. As he walked, he could not put down the disturbing unknowns that cropped into every computation about Arrakis. This new religious leader that Gurney Halleck hinted at from his hiding place among the smugglers, this Muad’Dib.

Perhaps I should not have told the Baron to let this religion flourish where it will, even among the folk of pan and graben, he told himself. But it’s well known that repression makes a religion flourish.

And he thought about Halleck’s reports on Fremen battle tactics. The tactics smacked of Halleck himself… and Idaho… and even of Hawat.

Did Idaho survive? he asked himself.

But this was a futile question. He did not yet ask himself if it was possible that Paul had survived. He knew the Baron was convinced that all Atreides were dead. The Bene Gesserit witch had been his weapon, the Baron admitted. And that could only mean an end to all—even to the woman’s own son.

What a poisonous hate she must’ve had for the Atreides, he thought. Something like the hate I hold for this Baron. Will my blow be as final and complete as hers?

***

There is in all things a pattern that is part of our universe. It has symmetry, elegance, and grace—those qualities you find always in that which the true artist captures. You can find it in the turning of the seasons, in the way sand trails along a ridge, in the branch clusters of the creosote bush or the pattern of its leaves. We try to copy these patterns in our lives and our society, seeking the rhythms, the dances, the forms that comfort. Yet, it is possible to see peril in the finding of ultimate perfection. It is clear that the ultimate pattern contains its own fixity. In such perfection, all things move toward death.

—from “The Collected Sayings of Muad’Dib” by the Princess Irulan

PAUL-MUAD’DIB remembered that there had been a meal

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