drawing of the three - By Stephen King Page 0,49

him about booze. A guy with no class, no manners. A guy who smelled like he took a bath once a year whether he needed it or not. A mick, in other words. And of course it was booze. With micks it was always booze, never dope. And this mick, he thought what was on Da Boss’s desk was a joke. “Make a wish!” he yelled after Da Boss had explained to him, in the way one gentleman explains to another, why it was impossible for them to do business. And then the Mick, one of those guys with curly red hair and a complexion so white he looked like he had TB or something, one of those guys whose names started with O and then had that little curly mark between the O and the real name, had blown on Da Boss’s desk, like a niño blowing out the candles on a birthday cake, and cards flew everywhere around Balazar’s head, and Balazar had opened the left top drawer in his desk, the drawer where other businessmen might keep their personal stationery or their private memos or something like that, and he had brought out a .45, and he had shot the Mick in the head, and Balazar’s expression never changed, and after ’Cimi and a guy named Truman Alexander who had died of a heart attack four years ago had buried the Mick under a chickenhouse somewhere outside of Sedonville, Connecticut, Balazar had said to ’Cimi, “It’s up to men to build things, paisan. It’s up to God to blow them down. You agree?”

“Yes, Mr. Balazar,” ’Cimi had said. He did agree.

Balazar had nodded, pleased. “You did like I said? You put him someplace where chickens or ducks or something like that could shit on him?”

“Yes.”

“That’s very good,” Balazar said calmly, and took a fresh deck of cards from the right top drawer of his desk.

One level was not enough for Balazar, Il Roche. Upon the roof of the first level he would build a second, only not quite so wide; on top of the second a third; on top of the third a fourth. He would go on, but after the fourth level he would have to stand to do so. You no longer had to bend much to look in, and when you did what you saw wasn’t rows of triangle shapes but a fragile, bewildering, and impossibly lovely hall of diamond-shapes. You looked in too long, you felt dizzy. Once ’Cimi had gone in the Mirror Maze at Coney and he had felt like that. He had never gone in again.

’Cimi said (he believed no one believed him; the truth was no one cared one way or the other) he had once seen Balazar build something which was no longer a house of cards but a tower of cards, one which stood nine levels high before it collapsed. That no one gave a shit about this was something ’Cimi didn’t know because everyone he told affected amazement because he was close to Da Boss. But they would have been amazed if he had had the words to describe it—how delicate it had been, how it reached almost three quarters of the way from the top of the desk to the ceiling, a lacy construct of jacks and deuces and kings and tens and Big Akers, a red and black configuration of paper diamonds standing in defiance of a world spinning through a universe of incoherent motions and forces; a tower that seemed to ’Cimi’s amazed eyes to be a ringing denial of all the unfair paradoxes of life.

If he had known how, he would have said: I looked at what he built, and to me it explained the stars.

10

Balazar knew how everything would have to be.

The Feds had smelled Eddie—maybe he had been stupid to send Eddie in the first place, maybe his instincts were failing him, but Eddie had seemed somehow so right, so perfect. His uncle, the first man he had worked for in the business, said there were exceptions to every rule but one: Never trust a junkie. Balazar had said nothing—it was not the place of a boy of fifteen to speak, even if only to agree—but privately had thought the only rule to which there was no exception was that there were some rules for which that was not true.

But if Tio Verone were alive today, Balazar thought, he would laugh at you and say look, Rico, you always were

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