drawing of the three - By Stephen King Page 0,13

words and the picture descended and now he saw an aisle with a double row of seats on the far side. A few were empty, but there were men in most of them, men in strange dress. He supposed they were suits, but he had never seen any like them before. The things around their necks could likewise be ties or cravats, but he had seen none like these, either. And, so far as he could tell, not one of them was armed—he saw no dagger nor sword, let alone a gun. What kind of trusting sheep were these? Some read papers covered with tiny words—words broken here and there with pictures—while others wrote on papers with pens of a sort the gunslinger had never seen. But the pens mattered little to him. It was the paper. He lived in a world where paper and gold were valued in rough equivalency. He had never seen so much paper in his life. Even now one of the men tore a sheet from the yellow pad which lay upon his lap and crumpled it into a ball, although he had only written on the top half of one side and not at all on the other. The gunslinger was not too sick to feel a twinge of horror and outrage at such unnatural profligacy.

Beyond the men was a curved white wall and a row of windows. A few of these were covered by some sort of shutters, but he could see blue sky beyond others.

Now a woman approached the doorway, a woman wearing what looked like a uniform, but of no sort Roland had ever seen. It was bright red, and part of it was pants. He could see the place where her legs became her crotch. This was nothing he had ever seen on a woman who was not undressed.

She came so close to the door that Roland thought she would walk through, and he blundered back a step, lucky not to fall. She looked at him with the practiced solicitude of a woman who is at once a servant and no one’s mistress but her own. This did not interest the gunslinger. What interested him was that her expression never changed. It was not the way you expected a woman—anybody, for that matter—to look at a dirty, swaying, exhausted man with revolvers crisscrossed on his hips, a blood-soaked rag wrapped around his right hand, and jeans which looked as if they’d been worked on with some kind of buzzsaw.

“Would you like . . .” the woman in red asked. There was more, but the gunslinger didn’t understand exactly what it meant. Food or drink, he thought. That red cloth—it was not cotton. Silk? It looked a little like silk, but—

“Gin,” a voice answered, and the gunslinger understood that. Suddenly he understood much more:

It wasn’t a door.

It was eyes.

Insane as it might seen, he was looking at part of a carriage that flew through the sky. He was looking through someone’s eyes.

Whose?

But he knew. He was looking through the eyes of the prisoner.

CHAPTER 2

Eddie Dean

1

As if to confirm this idea, mad as it was, what the gunslinger was looking at through the doorway suddenly rose and slid sidewards. The view turned (that feeling of vertigo again, a feeling of standing still on a plate with wheels under it, a plate which hands he could not see moved this way and that), and then the aisle was flowing past the edges of the doorway. He passed a place where several women, all dressed in the same red uniforms, stood. This was a place of steel things, and he would have liked to make the moving view stop in spite of his pain and exhaustion so he could see what the steel things were—machines of some sort. One looked a bit like an oven. The army woman he had already seen was pouring the gin which the voice had requested. The bottle she poured from was very small. It was glass. The vessel she was pouring it into looked like glass but the gunslinger didn’t think it actually was.

What the doorway showed had moved along before he could see more. There was another of those dizzying turns and he was looking at a metal door. There was a lighted sign in a small oblong. This word the gunslinger could read. VACANT, it said.

The view slid down a little. A hand entered it from the right of the door the gunslinger was looking through

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