Death Wore White - By Jim Kelly Page 0,3

the hands, a chunky signet ring. He felt his pulse suddenly thump in his ears as his body reacted to the sight of death. The atavistic urge to flee, to run from danger, was almost overwhelming. And there was the sensation that time had stopped, as if he’d been caught in the middle of an accident, unfurling around him in agonizingly slow motion.

He forced himself to observe; to step out of the scene.

Dead – but for how long? Less than forty‐eight hours. The arms and legs were askew, locked in ugly angles, so rigor had yet to pass.

He put a hand on the side of the raft to steady it, his fingers gripping a raised handle at the prow. Jeans, a T‐shirt, a heavy fur‐lined jacket only half on, leaving one arm free. The limb was thick, knotted with muscle, the hidden shoulder broad. In the bottom of the boat there was an inch of swilling bloody seawater.

Valentine met him on the dry sand, and they pulled the raft round so that what was left of the sunset caught the dead man’s head; unavoidable now, lifeless, despite the movement of the waves. The human face: Peter Shaw’s passion, each unique balance and imbalance of features as individual as a fingerprint. He noted the bloated, profound pallor, like cold fat, with almost iridescent tinges of blue and green. A young man, stubble on the chin, the eyes half‐open but flat, lightless, one eyelid more closed than the other. The lateral orbital lines – crow’s feet – deeply scored, as if he’d spent a lifetime squinting in the sun. The muscles beneath defined the skin like the surface of a piece of beaten metal. But it was the mouth that drew Shaw’s attention. The lips, uneven lines, were peeled back from teeth which were smeared with blood.

‘Shit,’ said Valentine, turning, taking three steps and vomiting into the sand.

He came back, dabbing at his lips. ‘Sight of blood,’ he said, avoiding Shaw’s eyes. He might be a copper with thirty years’ experience, but it hadn’t helped him get used to being in the company of the dead.

Shaw tried to reanimate the victim’s face in his mind as he’d been trained to do. He tightened up the jaw, balanced the eyes, replaced the graceful bow of the lips. Not a cerebral face, a muscular face.

It was Valentine who first saw the mark on the arm. The seawater had washed it clean and so it bled no more, but there was no mistaking the shape: a bite. A human bite. The teeth puncturing the skin deeply, viciously driving into the sinew and muscle, almost meeting in a crisp double incision.

3

Sarah Baker‐Sibley pulled the Alfa up three car lengths behind stationary tail lights. The vehicle ahead had stopped, a fallen pine tree blocking the way, lit silver by the headlights. Looking ahead she saw that it wasn’t a car but a small pick‐up truck, with an open back, and a covered low load. The cab had a rear window which showed a light within through frosted glass. The engine idled, the exhaust fumes spirited away each time there was a breath of wind. In a lull she heard music: something urban, jagged and loud. Then silence, and the next track, louder, even less melodic. The flurry of snow had passed, but flakes still fell.

She activated central locking and searched her handbag for her mobile. The latest model: a gift from one of her suppliers, retail price £230. Internet link, GPS, camera, video, the casing decorated with a detail from Monet’s Water Lilies.

NO SIGNAL

Searching network

She threw the mobile onto the passenger seat. Ahead the snow lay three inches thick on the road, as clean as hotel linen, the two parallel tyre tracks just visible, running forward to the stranded truck.

Then she heard the crunch of a vehicle behind her and looking in the rear‐view mirror she saw headlights coming up until they were so close they fell into her shadow, revealing the driver, once the glare of his lights was gone. A man alone. She checked that the door was locked.

She watched as the man levered himself out of the driver’s seat, straightening, with a hand on the car for support. He struggled forward, but when the wind blew he stopped, braced, waiting for a lull.

He lowered his face to the closed driver’s window. A strained smile, the white hair matted with snow, the plump fingers holding an outsized working jacket to his throat. Glasses, heavy with

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