Cry for the Strangers Page 0,66

way up Harbor Road. When he got to the intersection with the highway, he pulled off the road, parked where he would have a good view of the Palmers’ gallery, and waited.

He didn’t have to wait long. In the distance behind him, Chip heard the faint wailing of the siren on Harn Whalen’s car. As it grew louder he began to think that Whalen must be pursuing a speeder. The car would be coming into sight any minute.

But no speeding car appeared. Instead, the wail only increased, and suddenly Chip saw the police car roar around the bend, lights flashing, siren screaming. As the car charged into the stretch of straight roadway, it seemed to accelerate, and Chip tore his eyes away from it to look ahead, almost expecting to see Whalen’s prey disappear around the next curve. But all he saw was Glen Palmer coming out of the gallery, a puzzled look on his face.

Chip realized then what was about to happen. He leaned on his own horn, hoping to warn Glen, but it was too late. Whalen, in the speeding black-and-white, roared by him, and the sound of Chip’s horn was drowned in the shriek of the siren. Then, just as he was about to pass the gallery, Whalen swerved to the right, slightly off the pavement.

Glen Palmer jumped back before he realized that the car had not been aimed at him. Indeed, he wasn’t even sure that it had been aimed at all, the swerve had been so slight and so quick. But the right tires of the police car hit a long, narrow puddle, and the muddy water cascaded over Glen, soaking him to the skin. Almost before he realized what had happened he thought of the pictures.

They lay in the mud, most of them knocked over by the force of the cascading water. Without even looking at them, Glen was sure they were ruined. He stared at them, rooted to the spot, seeing weeks of work destroyed in an instant.

He was still standing there when Chip Connor raced by him and began grabbing the paintings, snatching them out of the mud, taking them inside the gallery, then coming back for more.

“Well, for Christ’s sake, don’t just stand there,” Chip cried. “Help me get these things inside.”

* * *

Harney Whalen glanced in the rearview mirror just in time to see the last of the cascading water pour over the pictures, then put his eyes back on the road. He moved his foot from the accelerator to the brake, slowing the speeding squad car enough to keep it on the road as he went into the curve that would cut the gallery off from his view. He left the siren on for a moment, enjoying the wailing sound that poured from the roof of the car, then reached up to snap it off: Palmer had gotten the message. Not, Whalen reflected, that he really cared—if he hadn’t, Whalen could always repeat the performance.

Close to Sod Beach, he decided to stop and have a look at the Baron house. He turned the police car into the nearly invisible lane that cut through the woods toward the beach and parked it when he could drive no farther.

From outside the house looked no different than it had ever looked, and Whalen didn’t bother to inspect the porch that ran almost all the way around it. Instead he let himself in through the kitchen door, closing the door behind him.

He made a mental note to hire a couple of the local kids to clean the place up. It wouldn’t cost much to have the rotting garbage removed and the dishes washed and put away. If the sink wasn’t scoured, the ancient wood stove not cleaned, and the floor still badly stained, it wouldn’t matter—nobody was living there, and Whalen had no intention of having anybody live there.

A faint memory stirred at the back of his mind. Something about the Randalls. They had wanted to rent the place but he had refused.

Again the faint stirring. Whalen shook his head, trying to catch the elusive memory, then dismissed it. He had refused to rent the house to them. He was sure of it.

He wandered through the lower floor and picked up a stray sweater that lay haphazardly on one of the worn-looking chairs. Then he saw a fire neatly laid in the fireplace and felt vaguely annoyed. Before he could define his annoyance a chill suddenly came over him and he impulsively lit

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