I start to ask, but he’s concentrating so hard that I just stand there waiting for him to finish instead.
“Safeguards,” he tells me as he takes my hand and walks me into the cave.
“To protect people from wandering in?” I ask.
He shakes his head. “To keep my father out.”
Jaxon’s jaw tightens, and I get the sense he really doesn’t want me asking more questions. So I don’t.
Besides, it’s taking every ounce of concentration I have to keep from slipping and sliding down the steepest, narrowest, iciest path I have ever seen. Jaxon holds my hand tightly all the way, using his strength to steady me several times as we descend.
He’s got his phone in his left hand, the flashlight app on to illuminate our path, and we stop several times so that I can get a better foothold. Those are actually the times I like best, because they’re the only times I finally get to really look around the cave we’re walking into…and it is absolutely gorgeous. Everywhere I gaze are beautiful ice and rock formations—some sharp enough to impale a person, others stripped away by time and water to reveal their very origins.
Those are some of my favorites.
Eventually, we get to a fork in the path but continue down the right side.
There’s a second fork at the bottom of that path, and this time Jaxon takes us to the left. We go through another set of safeguards and then suddenly, everything flattens out. We’re in a huge room, filled with so many lit candles that, after the dark, I have to blink against the glare of them all.
“What is this place?” I whisper to Jaxon, because it seems like the kind of place that demands a whisper. Wide open, with high ceilings and brilliant rock and ice formations in all directions, it’s the most stunning natural wonder I’ve ever seen.
The place feels like a dream…at least until I glance toward one of the corners and realize there are chains and cuffs jammed into the ceiling—right above a couple of bloodstained buckets. There’s no one in the cuffs right now, but the fact that they exist at all takes away my awe at the beauty of the room.
Jaxon sees where I’m looking—it’s hard to be subtle when you imagine humans being hung and drained of their blood—and steps forward to deliberately block my view. I don’t argue with him; I already have a pretty good idea I’m going to be seeing that setup in my nightmares for some time to come. I don’t need to see it in real life again. Ever.
Jaxon seems to feel the same way, because he’s tugging me over to the largest arch pretty quickly now, even though the floor is still slippery and uneven.
“Ready?” he asks, right before we get there.
I nod, because honestly, what else am I going to do? And then, with Jaxon’s arm wrapped tightly around my shoulders, I walk straight through the archway to meet the Bloodletter.
31
Welcome to the
Ice Age
I don’t know what I’m expecting when I walk through that frozen archway, but the perfectly put-together living room in front of me is. Not. It.
The room is gorgeous, the ceiling and walls decorated with more rock and ice formations…and behind glass, one very large expressionist painting of a field of poppies in all the shades of red and blue and green and gold.
I’m transfixed by it, much the way I was by the Klimt I saw in Jaxon’s room when I first got to Katmere. Partly because it is beautiful and partly because the closer I get to it, the more convinced I become that the painting is an original Monet.
Then again, when you’ve been alive for thousands of years, I guess it’s easier to get your hands on the works of the masters—maybe even before they became masters.
The rest of the room looks like any living room anywhere—with an upgrade from standard to absolutely stunning. A gigantic rock fireplace dominates one of the side walls. Bookshelves line the room, filled with books bound in cracked and colorful leather, and a giant rug that looks like a bouquet of flowers exploded stretches across the massive floor.
In the center of the room, facing away from the fire, are two large wingback chairs in the same red as the poppies in the painting. Across from them, separated by a long rectangular glass coffee table, is a comfortable-looking sofa in harvest gold.
And sitting on the sofa, legs curled under her with a book