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go ahead. It seems right. Please go ahead. I’ll talk. You hold my hand. I’ll talk.”

But she did not have the opportunity. Two men at a neighbouring table had just paid their bill and one of them now stood up and looked intently in her direction.

66. Tim Something Sits Down

“IT IS YOU, isn’t it?” said Tim Something.

Caroline looked up at the man who had come across to their table and was standing before them. He had been lunching with somebody—a man with a moustache—who was obviously in a hurry because he was already at the door and waving perfunctorily to his erstwhile companion.

The thought occurred to her that the answer to this question of whether one is one must always be yes. If somebody says, “It is you, isn’t it?” then what else can one answer? No? That would only be possible if one read into the question a proper noun—implicit and unspecified—immediately after the pronoun. Of course it was her, but perhaps not the her this man had in mind. And then she realised. Tim Something!

“Tim,” she said weakly. “It is you, isn’t it?”

Tim laughed. “Of course it is. Well, I hope it is. It’s me.”

Caroline felt warm with embarrassment. Tim Something was not somebody she wanted to meet—or not with James. She remembered the conversation she had had with James in which he had made light of those pictures of young women in the front of that country magazine, and she had said nothing, had failed to confess to him that she herself had in fact been one of those young women. Now here was Tim Something, the very photographer who had taken the photograph, and he would be bound to mention that fact. James would look at her and remember that he had made a joke about it and realise that all the time she must have been squirming. And then he would feel guilty about not having known how cruel his words must have seemed to her.

Tim looked at James. “I’m Tim Something,” he said, extending a hand.

Caroline almost blurted out: But he doesn’t like to be touched! Here was James, coming for a quiet lunch after a lecture on Caravaggio, and suddenly everybody was touching him.

But James did not seem to mind. He reached up and took Tim’s proffered hand and shook it. Yet he dropped it quite quickly, thought Caroline; it had not been a lingering handshake.

“Tim what?” asked James. “I didn’t quite get your name.”

“Something,” said Tim.

James glanced at Caroline. “Tim Something,” she muttered.

James looked increasingly puzzled.

Caroline decided to take the initiative. “How are things, Tim? Are you working in London?”

Before Tim Something could answer, Caroline turned to James and said, “I know Tim from Oxford.”

“Yes,” said Tim, “I took a—”

“When was it, Tim?” Caroline interrupted. “Over two years ago now, wasn’t it?”

“What?” asked James.

“I haven’t seen Tim for a couple of years, I think,” Caroline went on. “And now, well … London. What are you doing, Tim?”

There was a third, unoccupied chair at their table, which Tim now lowered himself into. “Do you mind?”

Caroline wanted to say, Yes, I mind a lot. I was talking to my friend James and he was about to say something important, something really important to him, and maybe to me … And then you came along and sat down at our table uninvited and …

“Yes,” said Tim, leaning his elbows on the table. “I do a bit of work over in Oxford and thereabouts from time to time—I’ve still got a flat there, you know—but most of the time I’m in London. More work here. And I must say that I got a bit fed up with taking those photographs of village fêtes and …” He paused, and smiled at Caroline. “Countyish girls for the inside page of the mag. Sorry, Caroline!”

“What mag?” asked James.

“You should ask her,” said Tim with a grin. He nodded in Caroline’s direction. “There’s this mag that county types read and they love having—”

“What sort of work do you get in London?” Caroline blurted out.

Tim turned back to face her. “This and that. Some social stuff, quite a lot of business-related work. The City. Men in suits sitting in boardrooms or behind desks. I do them really well, you know. You have to make them look solid and reliable but not too dull. Apparently there’s a look that’s just right. You see the photo and you think: That chap’s got ideas. And sometimes I photograph the odd actor or author. That