The concrete blonde - By Michael Connelly Page 0,98
to use it as your motivation for dropping this guy—was going too far inside.”
Bosch just nodded. He was glad that part of his life would not be in the hands of a million newspaper buyers tomorrow, but he acted nonchalant about it.
“But,” Bremmer said, “I gotta tell you, if we get a verdict back on this that goes against you and the jurors start saying they thought you did it to avenge your mother's death, then that is usable and I won't have a choice.”
Bosch nodded again. It seemed fair enough. He looked at his watch and saw it was nearly ten. He knew he should call Sylvia and he knew he should get out of there before the next set started and he became entranced by the music again.
He finished his drink and said, “I'm gonna hit it.”
“Yeah, me, too,” Bremmer said. “I'll walk out with you.”
Outside, the chilled night air cut through Bosch's whiskey daze. He said good-bye to Bremmer and put his hands in his pockets as he started down the sidewalk.
“Harry, you walking all the way back to Parker Center? Hop in. My car is right here.”
Bosch watched Bremmer unlock the passenger door to his Le Sabre, which was parked right at the curb in front of the Wind. Bosch got in without a word of thanks and leaned over and unlocked the other side. When he was drunk he went through a stage where he said almost nothing, just vegetated in his own juices and listened.
Bremmer started the conversation during the four blocks to Parker Center.
“That Money Chandler is something else, isn't she? She really knows how to play a jury.”
“You think she's got it, don't you?”
“It's going to be close, Harry. I think. But even if it's one of those statement verdicts that are popular these days against the LAPD, she'll get rich.”
“Whaddaya mean?”
“You haven't been in federal court before have you?”
“No. I try not to make it a habit.”
“Well, in a civil rights case, if the plaintiff wins—in this case, Chandler—then the defendant—in this case the city is paying your tab—has to pay the lawyer's fees. I guarantee you, Harry, that in her closing argument tomorrow Money will tell those jurors that all they need to do is make a statement that you acted wrongly. And even damages of a dollar make that statement. The jury will see that as the easy way out. They can say you were wrong and only give a dollar in damages. They won't know, because Belk is not allowed to tell them, that even if the plaintiff wins a dollar, Chandler bills the city. And that won't be a dollar. More like a couple hundred thousand of them. It's a scam.”
“Shit.”
“Yeah, that's the justice system.”
Bremmer pulled into the lot and Bosch pointed out his Caprice in one of the front rows.
“You going to be all right to drive?” Bremmer asked.
“No problem.”
Bosch was about to close the door when Bremmer stopped him.
“Hey, Harry, we both know I can't reveal my source. But I can tell you who it isn't. And I'll tell you it is not someone you'd expect. You know? Edgar and Pounds, if that's who you think it is, forget it. You'd never guess who it was, so don't bother. Okay?”
Bosch just nodded and shut the door.
21
After fumbling to find the right one, Bosch put the key in the ignition but didn't turn it. He briefly considered whether he should try to drive or whether he should go get coffee from the cafeteria first. He looked up through the windshield at the gray monolith that was Parker Center. Most of the lights were on but he knew the offices had emptied. The lights of the squad rooms were always left on to give the appearance that the fight against crime never sleeps. It was a lie.
He thought of the couch that was kept in one of the RHD interrogation rooms. That was also an alternative to driving. Unless, of course, it was already taken. But then he thought of Sylvia and how she had come to court despite what he had said about not wanting her there. He wanted to get home to her. Yes, he thought, home.
He put his hand on the key but then dropped it away again. He rubbed his eyes. They were tired and there were so many thoughts swimming in the whiskey. There was the sound of the tenor sax floating there, too. His own improvisational riff.