The concrete blonde - By Michael Connelly Page 0,131
opened the cassette housing on the recorder but it was empty. He repacked the equipment in the box and replaced it on the shelf, all the while wondering why a man with such a camera would have only blank tapes. He realized, as he took another quick look around the closet, that the tapes he had found so far might have recently been erased. He knew if that was the case, Mora might have tumbled to the surveillance.
He looked at his watch. Seventy minutes. He was pushing the envelope.
As he closed the closet door and turned around, he caught his own image in the mirror over the bureau. He quickly turned to the door to go. That was when he saw the rack of lights on a track running high on the wall above the bedroom door. There were five lights and he did not need to turn them on to be able to tell they focused on the bed.
He focused on the bed himself for a moment as he began to put it together. He took another glance at his watch, though he already knew it was time to go, and headed for the door.
As he crossed the room he looked at the TV and VCR again and realized that he had forgotten something. He quickly dropped to his knees in front of the machines and turned the VCR on. He hit the eject button and a videocas-sette popped out. He pushed it back in and hit the rewind button. He turned the TV on and pulled out the rover.
“One, how we doing?”
“Movie's getting out now. I'm watching for him.”
That wasn't right, Bosch knew. No general release movie was that short. And he knew the Dome was a single theater. One movie shown at a time. So Mora had gone into the theater after the movie had started. If he had really gone in. An adrenaline-charged alert swept over him.
“You sure it's over, One? He's barely been in there an hour.”
“We're going in!”
There was panic in Sheehan's voice. Then Bosch understood. We're going in. Opelt had not followed Mora into the theater. They had clicked off on Rollenberger's order to split up but they hadn't followed the order. They couldn't. Mora had seen Sheehan and Opelt the day before at the burrito stand by Central Division. There was no way one of them could go into a dark theater looking for Mora and risk being seen by the vice cop first. If that happened, Mora would instantly tumble to the setup. He would know. Sheehan had rogered the order from Rollen-berger because the alternative was to tell the lieutenant that they had fucked up the day before.
The VCR rewind clicked off. Bosch sat there motionless, his finger poised in front of the VCR. He knew they had been made. Mora was a cop. He had made the tail. The theater stop had been a scam.
He hit the play button.
This tape had not been erased. The quality of the image on it was better than Bosch had seen in the video booth at X Marks the Spot four nights earlier. The tape had all the production values of a feature-length porno tape. Framed in the TV picture was the four-poster bed on which two men were engaged in sex with a woman. Bosch watched for a moment and hit the fast forward button while the picture was still on the screen. The players in the video began a quick jerking motion that was almost comedic. Bosch watched as they changed couplings over and over. Every conceivable coupling in fast speed. Finally, he returned it to normal speed and studied the players.
The woman did not fit the Follower's mold. She wore the black wig. She was also rail-thin and young. In fact, she wasn't a woman—legally, at least. Bosch doubted she was more than sixteen years old. One of her partners was young, too, perhaps he was her age or less. Bosch couldn't be sure. He was sure, however, that the third participant was Ray Mora. His face was turned away from the camera but Bosch could tell. And he could see the gold medal, the Holy Spirit, bouncing on his chest. He turned the tape off.
“I forgot about that tape, didn't I?”
Still on his knees in front of the television, Bosch turned. Ray Mora was standing there with a gun pointed at his face.
“Hey, Ray.”
“Thanks for reminding me.”
“Don't worry about it. Look, Ray, why don't you put—”