Morris bought me the sewing machine that would someday accompany me to New York City by train. It was a sleek, black Singer 201 and it was murderously powerful (you could sew leather with it; I could have upholstered a Bugatti with that thing!). To this day, I’ve never been given a better gift. I took the Singer with me to boarding school, where it gave me enormous power within that community of privileged girls who all wanted to dress well, but who did not necessarily have the skills to do so. Once word got out around school that I could sew anything—and truly, I could—the other girls at Emma Willard were always knocking at my door, begging me to let out their waists for them, or to fix a seam, or to take their older sister’s formal dress from last season and make it fit them right now. I spent those years bent over that Singer like a machine gunner, and it was worth it. I became popular—which is the only thing that matters, really, at boarding school. Or anywhere.
I should say that the other reason my grandmother taught me to sew was because I had an oddly shaped body. From earliest childhood, I’d always been too tall, too lanky. Adolescence came and went, and I only got taller. For years, I grew no bosom to speak of, and I had a torso that went on for days. My arms and legs were saplings. Nothing purchased at a store was ever going to fit right, so it would always be better for me to make my own clothes. And Grandmother Morris—bless her soul—taught me how to dress myself in a way that flattered my height instead of making me look like a stilt walker.
If it sounds like I’m being self-deprecating about my appearance, I’m not. I’m just relaying the facts of my figure: I was long and tall, that’s all there was to it. And if it sounds like I’m about to tell you the story of an ugly duckling who goes to the city and finds out that she’s pretty, after all—don’t worry, this is not that story.
I was always pretty, Angela.
What’s more, I always knew it.
My prettiness, to be sure, is why a handsome man in the diner car of the Empire State Express was staring at me as I sipped my malted milk and ate my pears in syrup.
Finally he came over and asked if he could light my cigarette for me. I agreed, and he sat down and commenced with flirting. I was thrilled by the attention but didn’t know how to flirt back. So I responded to his advances by staring out the window and pretending to be deep in thought. I frowned slightly, hoping to look serious and dramatic, although I probably just looked nearsighted and confused.
This scene would have been even more awkward than it sounds, except that eventually I got distracted by my own reflection in the train window, and that kept me busy for a good long while. (Forgive me, Angela, but being captivated by your own appearance is part of what it means to be a young and pretty girl.) It turns out that even this handsome stranger was not nearly as interesting to me as the shape of my own eyebrows. It’s not only that I was interested in how well I’d groomed them—though I was absolutely riveted by that subject—but it just so happens that I was trying that summer to learn how to raise one eyebrow at a time, like Vivien Leigh in Gone with the Wind. Practicing this effect took focus, as I’m sure you can imagine. So you can see how the time just flew by, as I lost track of myself in my reflection.
The next time I looked up, we had pulled into Grand Central Station already, and my new life was about to begin, and the handsome man was long gone.
But not to worry, Angela—there would be plenty more handsome men to come.
Oh! I should also tell you—in case you were wondering whatever became of her—that my Grandmother Morris had died about a year before that train deposited me into New York City. She’d passed away in August of 1939, just a few weeks before I was meant to start school at Vassar. Her death had not been a surprise—she’d been in decline for years—but still, the loss of her (my best friend, my mentor, my confidante) devastated me to the core.