impressive, though, and Dune Messiah had sold relatively well. But Dune Messiah hadn’t been favorably received by the critics, and consensus held that its sales came on the coattails of Dune. Would Children of Dune be an even bigger critical disappointment than Dune Messiah?
There had never been a hardcover science fiction best seller, so Putnam management proceeded with extreme caution. Suddenly the Analog results provided David Hartwell with the necessary ammunition. Putnam increased the first print run to 75,000 copies, more than any science fiction hardcover printing in history. Publication was scheduled for later in the year, after completion of the magazine serialization.
When Children of Dune came out in hardback in 1976, it was an instant best seller. True to the prediction of David Hartwell and the gut feeling of my father, it became the top-selling hardback in science fiction history up to that time . . . more than 100,000 copies in a few months. When the novel came out in paperback the following year, Berkley Books initially printed 750,000 copies. That wasn’t half enough, and they went back to press. Six months after the release of the paperback, Dad said paperback sales were approaching two million copies.
“It’s a runaway best seller,” he told me in a telephone conversation. Dad enjoyed this phrase, and I heard it often in the ensuing years regarding his numerous best sellers.
At the age of fifty-five, Dad went on his first book tour, and it was a big one—twenty-one cities in thirty days, including an appearance on The Today Show in New York City with fellow science fiction writers Frederik Pohl and Lester del Rey. The Literary Guild made arrangements to offer all three books of the Dune trilogy in a boxed hardbound set.
At the vanguard of an explosive growth of sales in science fiction, Frank Herbert blazed the trail for other writers in the genre. After the phenomenal success of the Dune series, Isaac Asimov, Arthur C. Clarke, Robert A. Heinlein, Ray Bradbury, and other science fiction writers had national hardcover best sellers.
Children of Dune is an exciting, vividly imagined novel. It is Frank Herbert at the top of his craft.
Brian Herbert
Seattle, Washington
January 11, 2008
Muad’Dib’s teachings have become the playground of scholastics, of the superstitious and the corrupt. He taught a balanced way of life, a philosophy with which a human can meet problems arising from an ever-changing universe. He said humankind is still evolving, in a process which will never end. He said this evolution moves on changing principles which are known only to eternity. How can corrupted reasoning play with such an essence?
—WORDS OF THE MENTAT DUNCAN IDAHO
A spot of light appeared on the deep red rug which covered the raw rock of the cave floor. The light glowed without apparent source, having its existence only on the red fabric surface woven of spice fiber. A questing circle about two centimeters in diameter, it moved erratically—now elongated, now an oval. Encountering the deep green side of a bed, it leaped upward, folded itself across the bed’s surface.
Beneath the green covering lay a child with rusty hair, face still round with baby fat, a generous mouth—a figure lacking the lean sparseness of Fremen tradition, but not as water-fat as an off-worlder. As the light passed across closed eyelids, the small figure stirred. The light winked out.
Now there was only the sound of even breathing and, faint behind it, a reassuring drip-drip-drip of water collecting in a catch-basin from the windstill far above the cave.
Again the light appeared in the chamber—slightly larger, a few lumens brighter. This time there was a suggestion of source and movement to it: a hooded figure filled the arched doorway at the chamber’s edge and the light originated there. Once more the light flowed around the chamber, testing, questing. There was a sense of menace in it, a restless dissatisfaction. It avoided the sleeping child, paused on the gridded air inlet at an upper corner, probed a bulge in the green and gold wall hangings which softened the enclosing rock.
Presently the light winked out. The hooded figure moved with a betraying swish of fabric, took up a station at one side of the arched doorway. Anyone aware of the routine here in Sietch Tabr would have suspected at once that this must be Stilgar, Naib of the Sietch, guardian of the orphaned twins who would one day take up the mantle of their father, Paul Muad’Dib. Stilgar often made night inspections of the twins’ quarters, always going first