What do you have to lose?” she asks, elbowing me playfully as she matches my hurried pace on the sidewalk.
“My self-worth and dignity?” I joke.
“Overrated,” she says with a smile.
It’s strange, having her poke around in my business. Not strange-bad. Just … strange. We’re talking more often now, and I’m not quite used to it.
“It’s not that I don’t want to tell you,” I say. “It’s that it involves the photo, and I don’t want to keep digging it back up again after we’ve buried it.”
She groans. “That thing is worse than a B-movie monster that won’t stay dead. Go on. Give it to me. Tell me what happened.”
So I do. As we dart around the last of the summer tourists, I show her Adrian’s texts and tell her about my fight with Lucky. I tell her everything, all the stupid things I said. The accusations I made, and how he asked me to trust him. How I couldn’t, even after he trusted me that we weren’t leaving town. I even tell her about seeing Desmond Banks before the flotilla, and how I could have avoided all this by just talking to Evie.
All of it.
When I’m done, she blows out a long breath, puffing out her cheeks. “Wow.”
“Your daughter is kind of a dingbat.”
“From a long line of dingbats,” she says with a soft smile. “But hey. Let’s not forget that he made a stool for the Nook with his own two hands. A beautiful stool. A work of art.”
“He’s a craftsperson, not an artist.”
“Well, la-di-da,” Mom says lightly.
I laugh. “But, okay. I see your point. Yeah, he did make the stool for us. That was something. Right?”
“Definitely. I think it’s a clear sign that he’s trying to talk to you.”
“You do?”
“I can’t read his mind or yours, but maybe, just based on what you’ve told me, maybe he realizes that you were going through some difficult things that day, and finding out about your father may have messed you up a little bit and made you act a little irrationally. Speaking from experience—when I found out the truth about your father, I packed up and took you away from Beauty for five years.”
“Oh,” I say as this clicks into place in my head.
“Yeah,” she says, nodding. “So maybe this is how it affected you. And I can’t be certain, but he seems like a smart guy, so maybe he worked that out for himself and is trying to establish a line of communication with you again, in his own way.”
Was that possible?
“And,” Mom continues, “if he’s trying to communicate with you through his art—excuse me, through his craft—”
“He’s a stickler about that.”
“—then maybe you should do the same and communicate with him through your art.”
I blink at her. “Through my photos?”
“Why not?” she says with a shrug. “That’s what you’re doing by taking pictures of your signs, right? Using photography to communicate? That’s what it says in your portfolio.”
“Well, yeah …”
“So use your photography to communicate with Lucky.”
I think about this as we stroll past Lady Arabella’s, an old-fashioned store that carries vintage toys, its window filled with jars of colorful marbles, hoops, tin soldiers, and cornhusk dolls. “So, you’re saying I should send one of my photos to the boatyard?” I ask Mom.
“Maybe?” she says, moving out of the way as a small child runs out of the toy store carrying a stuffed whale. “Send him a message. Strike up a conversation. See where it leads. Maybe even grovel a little, because that’s something dingbats should probably do.”
“Probably,” I say with a groan.
“But shutterbug?”
“Yes?”
“If I’m wrong about this, and he’s not ready to talk, then you need to respect that. You can’t be an Adrian.”
I nod, stomach dropping at that possibility forming in my head—that Lucky isn’t ready to talk. Regardless, I think Mom may be onto something. I think this isn’t the worst plan.
I think I want to try to strike up a conversation with Lucky again, and this may be a good way to try to do that. What do you know? Talking out my problems with real-life people actually results in real-life solutions.
“Hey, Mom? While we’re talking about relationships, don’t think I didn’t notice that you still avoided driving down Lamplighter Lane on the way here. You can’t avoid Drew Sideris forever, you know. This town is too small,” I tell her, as Lucky once told me. “Maybe you should be striking up conversations of your own.”