Catching Fire Page 0,87
faces of Rue's mother and father swim before my eyes. Their sorrow. Their loss. I turn spontaneously to Chaff and offer my hand. I feel my fingers close around the stump that now completes his arm and hold fast.
And then it happens. Up and down the row, the victors begin to join hands. Some right away, like the morphlings, or Wiress and Beetee. Others unsure but caught up in the demands of those around them, like Brutus and Enobaria. By the time the anthem plays its final strains, all twenty-four of us stand in one unbroken line in what must be the first public show of unity among the districts since the Dark Days. You can see the realization of this as the screens begin to pop into blackness. It's too late, though. In the confusion they didn't cut us off in time. Everyone has seen.
There's disorder on the stage now, too, as the lights go out and we're left to stumble back into the Training Center. I've lost hold of Chaff, but Peeta guides me into an elevator. Finnick and Johanna try to join us, but a harried Peacekeeper blocks their way and we shoot upward alone.
The moment we step off the elevator, Peeta grips my shoulders. "There isn't much time, so tell me. Is there anything I have to apologize for?"
"Nothing," I say. It was a big leap to take without my okay, but I'm just as glad I didn't know, didn't have time to second-guess him, to let any guilt over Gale detract from how I really feel about what Peeta did. Which is empowered.
Somewhere, very far off, is a place called District 12, where my mother and sister and friends will have to deal with the fallout from this night. Just a brief hovercraft ride away is an arena where, tomorrow, Peeta and I and the other tributes will face our own form of punishment. But even if all of us meet terrible ends, something happened on that stage tonight that can't be undone. We victors staged our own uprising, and maybe, just maybe, the Capitol won't be able to contain this one.
We wait for the others to return, but when the elevator opens, only Haymitch appears. "It's madness out there. Everyone's been sent home and they've canceled the recap of the interviews on television."
Peeta and I hurry to the window and try to make sense of the commotion far below us on the streets. "What are they saying?" Peeta asks. "Are they asking the president to stop the Games?"
"I don't think they know themselves what to ask. The whole situation is unprecedented. Even the idea of opposing the Capitol's agenda is a source of confusion for the people here," says Haymitch. "But there's no way Snow would cancel the Games. You know that, right?"
I do. Of course, he could never back down now. The only option left to him is to strike back, and strike back hard. "The others went home?" I ask.
"They were ordered to. I don't know how much luck they're having getting through the mob," says Haymitch.
"Then we'll never see Effie again," says Peeta. We didn't see her on the morning of the Games last year. "You'll give her our thanks."
"More than that. Really make it special. It's Effie, after all," I say. "Tell her how appreciative we are and how she was the best escort ever and tell her ... tell her we send our love."
For a while we just stand there in silence, delaying the inevitable. Then Haymitch says it. "I guess this is where we say our good-byes as well."
"Any last words of advice?" Peeta asks.
"Stay alive," Haymitch says gruffly. That's almost an old joke with us now. He gives us each a quick embrace, and I can tell it's all he can stand. "Go to bed. You need your rest."
I know I should say a whole bunch of things to Haymitch, but I can't think of anything he doesn't already know, really, and my throat is so tight I doubt anything would come out, anyway. So, once again, I let Peeta speak for us both.
"You take care, Haymitch," he says.
We cross the room, but in the doorway, Haymitch's voice stops us. "Katniss, when you're in the arena," he begins. Then he pauses. He's scowling in a way that makes me sure I've already disappointed him.
"What?" I ask defensively.
"You just remember who the enemy is," Haymitch tells me. "That's all. Now go on. Get out of here."
We walk down