They took thousands of pictures, documenting every phase of her accelerated childhood.
At three months, Renesmee could have been a big one-year-old, or a small two-year-old. She wasn't shaped exactly like a toddler; she was leaner and more graceful, her proportions were more even, like an adult's. Her bronze ringlets hung to her waist; I couldn't bear to cut them, even if Alice would have allowed it. Renesmee could speak with flawless grammar and articulation, but she rarely bothered, preferring to simply show people what she wanted. She could not only walk but run and dance. She could even read.
I'd been reading Tennyson to her one night, because the flow and rhythm of his poetry seemed restful. (I had to search constantly for new material; Renesmee didn't like repetition in her bedtime stories as other children supposedly did, and she had no patience for picture books.) She reached up to touch my cheek, the image in her mind one of us, only with her holding the book. I gave it to her, smiling.
" There is sweet music here,'" she read without hesitation, "'that softer falls than petals from blown roses on the grass, or night-dews on still waters between walls of shadowy granite, in a gleaming pass - '"
My hand was robotic as I took the book back.
"If you read, how will you fall asleep?" I asked in a voice that had barely escaped shaking.
By Carlisle's calculations, the growth of her body was gradually slowing; her mind continued to race on ahead. Even if the rate of decrease held steady, she'd still be an adult in no more than four years.
Four years. And an old woman by fifteen.
Just fifteen years of life.
But she was so healthy. Vital, bright, glowing, and happy. Her conspicuous well-being made it easy for me to be happy with her in the moment and leave the future for tomorrow.
Carlisle and Edward discussed our options for the future from every angle in low voices that I tried not to hear. They never had these discussions when Jacob was around, because there was one sure way to halt aging, and that wasn't something Jacob was likely to be excited about. I wasn't. Too dangerous! my instincts screamed at me. Jacob and Renesmee seemed alike in so many ways, both half-and-half beings, two things at the same time. And all the werewolf lore insisted that vampire venom was a death sentence rather than a course to immortality___
Carlisle and Edward had exhausted the research they could do from a distance, and now we were preparing to follow old legends at their source. We were going back to Brazil, starting there. The Ticunas had legends about children like Renesmee.... If other children like her had ever existed, perhaps some tale of the life span of half-mortal children still lingered___
The only real question left was exactly when we would go.
I was the holdup. A small part of it was that I wanted to stay near Forks until after the holidays, for Charlie's
sake. But more than that, there was a different journey that I knew had to come first - that was the clear priority. Also, it had to be a solo trip.
This was the only argument that Edward and I had gotten in since I'd become a vampire. The main point of contention was the "solo" part. But the facts were what they were, and my plan was the only one that made rational sense. I had to go see the Volturi, and I had to do it absolutely alone.
Even freed from old nightmares, from any dreams at all, it was impossible to forget the Volturi. Nor did they leave us without reminders.
Until the day that Aro's present showed up, i didn't know that Alice had sent a wedding announcement to the Volturi leaders; we'd been far away on Esme's island when she'd seen a vision of Volturi soldiers - Jane and Alec, the devastatingly powerful twins, among them. Caius was planning to send a hunting party to see if I was still human, against their edict (because I knew about the secret vampire world, I either must join it or be silenced... permanently). So Alice had mailed the announcement, seeing that this would delay them as they deciphered the meaning behind it. But they would come eventually. That was certain.
The present itself was not overtly threatening. Extravagant, yes, almost frightening in that very extravagance. The threat was in the parting line of Aro's congratulatory note, written in black ink on a