What she actually said at the time was: ‘I need these by—um . . .’
Amy looked up from her typing. ‘I’m just a temp,’ she said. ‘You’ll have to show me what you want.’ And she moved over with a gesture of invitation to come to her side of the desk, where Linsey bent over the manuscript with fierce concentration, trying to ignore the drifting perfume and faint female odour that arose from the seated woman.
For the two weeks that Amy spent at the university, Linsey was distracted. She of fierce efficiency became quiet and absentminded. She worked like a fury on her lecture notes just so she could take them to Amy to format and copy. She replaced her uniform T-shirt with business shirts of crisp white cotton or cream silk. She washed her cap of shining brown hair every night and even tried fluffing it out a bit around her face. She thought constantly of Amy—dreamily imagined intimate dinners, films, concerts—but spoke to her only about work.
On Amy’s last day, Linsey was miserable. Confident and outspoken in a professional milieu, she was painfully shy socially.
So it was Amy who made the first move. ‘Are you free for a drink after work?’ she asked when Linsey came to collect her photocopying. ‘Yes? I’ll see you at Gerry’s around five then.’
At work, Linsey had never made any secret of her sexuality, but she wasn’t sure about Amy’s. They hadn’t developed a friendship or even an acquaintance in the time they had worked together, so to be asked out for a drink seemed like a good sign. But maybe Amy just wanted a reference, or to sound Linsey out about any permanent positions that might be coming up? These questions ran through poor Linsey’s head as she shredded her paper napkin in the twilight of Gerry’s wine bar.
‘I’m sorry,’ Amy said breathlessly as she sat down in the chair opposite. ‘I was held up while they filled in the agency forms.’
Linsey smiled, hoping her relief wasn’t too evident.
‘Not a problem. What will you have to drink?’
And so this ordinary, even banal conversation set in train the relationship that, with the help of Michael Finbar Clancy, would produce Miranda Ophelia Sinclair.
But whole oceans would pass under the bridge before these two—now known as Finn and Moss—would finally meet.
Amy, Linsey learned that night, came from a Methodist working-class family. She had three brothers, one an insurance assessor and the other two public servants. Her father was a train driver and her mother worked part-time at the local doctor’s surgery.
‘They’re good people,’ Amy told Linsey over a second glass of wine, ‘but not the sort to approve of . . . unconventional lifestyles. That’s why I haven’t told them.’
‘My parents try to be open-minded, but I know they’re really disappointed in me.’ A shadow of pain passed over Linsey’s face. ‘I have a brother and a sister. They try to understand. They’re quite supportive, really, but you can’t help knowing that they have to make an effort.’
Both women were silent, each lost for a moment in her own private sorrow.
Later, over dinner, Amy told Linsey about her music. ‘I go to classes,’ she confided. ‘It gives me somewhere to practise. Our house is pretty small and there’s nowhere to go to escape the sound of the TV. I know it’s ridiculous still living at home at my age—I’ve moved out a couple of times, but it hasn’t worked out. I moved back a few months ago.’ She shrugged. ‘Just haven’t got around to finding another place yet.’
‘What made you decide on the harp?’ Linsey was enjoying a vision of Amy, in a deep-blue silk gown, playing her harp, looking for all the world like one of God’s own angels. She was already planning to offer her spare room as a practice studio.
‘Well, there was this old lady next door. I used to do bits and pieces for her, you know, shopping and such. Mum wouldn’t let me take any money from her, so she offered to teach me the harp instead. When she moved into a nursing home, she gave the harp to me. Mrs Hirschfield, her name was. A nice old lady. She always wore a black velvet band around her hair, like a little girl.’
Linsey lived in a fine old house left to her by her Aunt Shirley, the widow of ‘Flash Jack’ Mitchell, the extruded-plastic-pipe magnate. Of course Aunt Shirley never called him ‘Flash Jack’. She always referred to him as