The Book of Koli (Rampart Trilogy #1) - M. R. Carey Page 0,1
It’s set into the side of a valley, the valley of the Calder River, in the north of a place called Ingland. I learned later that Ingland had a mess of other names, including Briton and Albion and Yewkay, but Ingland was the one I was told when I was a child.
With so many people, you can imagine the village was a terrible big place, with a fence all round it that was as high as one man on another man’s shoulders. There was a main street, called the Middle, and two side streets that crossed it called the Span and the Yard. On top of that, there was a score of little paths that led to this door or that, all laid with small stones trod down until they was even. None of the houses was built within fifty strides of the fence. That was Rampart law, and never broke.
I’m Koli, like I already said. Koli Woodsmith first, then Koli Waiting, Koli Rampart, Koli Faceless. What I am now don’t really have a name to it, so just Koli. My mother was Jemiu Woodsmith, that was Bassaw’s daughter and had the sawmill over by Old Big-Hand stream. I was raised up to that work, trained by Jemiu how to catch wood from a live tree without getting myself killed, how to dry it out and then steep it in the poisonous soup called stop-mix until it was safe, and how to turn and trim it.
My father was a maker of locks and keys. I am dark brown of skin, like he was, not light like my mother and my sibs. I don’t know what my father’s name was, and I don’t think my mother knowed it either, or if she did she never told me. He journeyed all the way from Half-Ax to put new locks on the doors of Rampart Hold, and he was billeted for the night in my mother’s mill. Two things come of that night. One of them was a brand-new lock on our workshop door that would stand against the end of the world. The other one was me. And there’s at least one of the two my mother never had no cause to regret.
So my mother and my father had just the one night of sweetness together, and then he went back home. Half-Ax being so far away, the news of what he had left behind him probably never got there. Or if it did, it didn’t prompt him to return. I come along nine months after that, dropping out of Jemiu’s belly into a big, loud, quarrelsome family and a house where sawdust settled on everything. The sound of the saw turning was my nursery song, you could say, and my alarum too. The fresh-cut wood was stacked in the yard outside the house so it could dry, and the stacks was so high they shut out the sun at noon-day. We wasn’t allowed to go near the piles of fresh wood, or the wood that was steeping in the killing shed: the first could strike you down and the second could poison you. Rampart law said you couldn’t build nothing out of wood unless the planks had steeped in stop-mix for a month and was dead for sure. Last thing you wanted was for the walls of your house to wake up and get to being alive again, which green wood always will.
My mother had herself five children that lived to be born, a thing she managed without ever being married. I heard her say once that though many a man was worth a tumble, there wasn’t one in a hundred was worth living with. I think it was mostly her pride, though, that got in the way of her marrying. She never liked much to pull her elbows in, or bow to another’s will. She was a fierce woman in all ways: fierce hard that she showed on the outside; fierce loving underneath that she mostly hid.
Well, the mill did well enough but it was not a Summer-dance and there was times when Jemiu was somewhat pressed to keep us fed. We got by though, one way and another, all six of us bumping and arguing our way along. Seven of us, sometimes, for Jemiu had a brother, Bax, who lived with us a while. I just barely remember him. When I was maybe three or four Summers old, he was tasked by the Ramparts to take a message to