The Bone House - By Stephen R. Lawhead Page 0,79

a few inches apart—they eased up an edge of the lid and held it while another workman hammered in a wedge. The process was repeated time and again all along the right-hand side of the huge stone top. When they finished, they started over again, raising the lid a little more and driving in the wedges that much farther.

After the third round of prying and hammering, they had succeeded in raising the weighty red granite a few inches. Ropes were passed around the centre of the lid and these sent up to be secured to the mule team. The levers were applied, nudging the carved top a little higher—enough to drive even larger wedges into the gap and tilt the lid to one side. Little by little the top rose and tilted until, with a low grinding sound like the rumble of distant thunder, it began to slide off. The ropes grew taut as the mules took the strain. Khalid dashed to the chamber doorway and called instructions for Khefri to relay to the mule drivers. Slowly, slowly, with a creaking complaint of ropes and wood, the massive stone lid tilted and slid. All at once, one of the ropes gave way. The stone slewed to one side, teetered, then crashed to the floor with a thud that shook the ground beneath their feet.

The dust was still rising in the air as Kit, Thomas, Khalid, and the nearest labourers rushed forward to catch the first glimpse of the interior of the sarcophagus. Any hope for jewelled treasure or golden ornaments was swiftly dashed. For inside was a second sarcophagus of limestone, richly painted to resemble the deceased high priest in his ceremonial robes. The lid of this second sarcophagus was lighter and was raised with little difficulty by the workmen to uncover a third coffin of wood, also painted.

The third lid was prised off in a moment to reveal the mummified body of Anen, tightly bound in linen bands to withstand the ravages of time. Over the chest had been placed—not jewelled ornaments or ceremonial trinkets, as in the case of others of high-born caste—but only a simple olive wood ankh, the ubiquitous cross with a loop, symbol for life. Nothing more.

Kit, leaning over the mummy, scanned the interior of the coffin, but saw no boxes, chests, or bundles of any kind. He felt the heat of discovery begin to fade into the gloom of disappointment once more. “Well, what do you think? Should we unwrap him?” he asked doubtfully.

“We do not have the proper equipment,” said Thomas. “But I doubt we would find anything. I am sorry. I fear we have been grossly misinformed.”

“I guess.” Kit, miserable with frustration, moved to the painting of the priest holding the map and pointing to the star. What was the old boy trying to tell them?

“Kit Livingstone!” said Khefri suddenly. “Look here. The headrest!”

The doctor returned to the sarcophagus. “What sharp eyes you have, my boy,” breathed Thomas. “I do believe you’re right . . .”

Kit turned to see the doctor and Khefri leaning over the mummy once more. Crossing the distance in three bounds, he watched as Thomas reached down beside the linen-wrapped corpse. “Here, give me a hand. Lift the mummy—gently, carefully . . . there. Got it!” He straightened, and in his hand was a square of something wrapped in linen; it looked like a mummified sofa cushion. “Our friend Anen was using it as a pillow.”

“Here—let’s get it out into the light where we can see it better,” suggested Kit, already heading for the door.

Out in the daylight, the carefully wrapped packet was examined for any external markings. There were none; the linen bindings were the same as those used to swathe the mummy. “I will enter this find in the ledger,” said Thomas, moving towards his station beneath the canopy. “Then we shall open it.”

If Kit had had his way, he would have torn off the bandages then and there, but he agreed and followed the doctor to the table and watched with mounting impatience as Thomas made his entry. Then, handing Kit a thin-bladed knife, he passed the parcel to Kit along with the admonition to be very careful and take his time so as not to damage the delicate artefact within.

With trembling fingers, Kit slit open the top layer of bands and began unwinding the long narrow strips.

One after another, the layers were removed—seven in all—and as each fell away, excitement grew until Kit was

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