beneath him they are. Your description of a booby trap is correct, the more I think about it.”
“A booby trap intended to pull her apart, to decapitate her, and maybe some or all of the body is lost. Why?” I ask. “Because he doesn’t want her identified?”
“Because killing her wasn’t enough. He could kill her every day and it wouldn’t be enough to fill the void in him that was left by some terrible devastation he suffered earlier in life.”
“A devastation you know about?”
“I know because they’re all different and the same. A monster no one recognizes. Goes about his normal business while he keeps a dead body in a refrigerator or a freezer because he can’t let it go, can’t let go of the fantasy. He has to relive what he did to her constantly. And even when he finally decided to dispose of her, he had to destroy her one last time. He wanted her ripped apart and wanted it witnessed, and intended whoever witnessed it to be shocked and made a fool of. Someone who mocks.”
Benton rolls his window up.
“Did he know her?” I ask.
He wipes rainwater off his face with his hands.
“He knows who he was killing,” he answers. “Peggy Stanton was just the stand-in. All of his victims are stand-ins. He’s killed before, and he’ll kill again or possibly already has, and he’ll play his games with those involved because it gives him pleasure.”
Wipers sweep water off the glass as I slowly move forward toward the unmarked cars parked just ahead.
“The same victim each time. A woman.” Benton zips up his coat. “Most likely an older woman, older than himself. An established, accomplished mature woman. It could be his mother or some other woman who played an overwhelmingly powerful role in his life.”
“What you’re describing certainly isn’t an impulse crime.” I notice curtains moving in the houses we pass.
Neighbors are aware of our SUV stopping and then creeping slowly on their street.
“You don’t abduct someone or get into a struggle or do much of anything around here without being seen,” I say. “You don’t carry a dead or unconscious body out of the house and load it into a car, doesn’t matter how dark it is. The risk would be enormous.”
“What happened to her was calculated.”
“Meticulously,” I agree.
“There was an encounter, maybe more than one. But they didn’t know each other,” Benton says. “Or at least she didn’t know him.”
twenty-three
THE TWO-STORY WHITE COLONIAL IS TUCKED IN ON three sides by homes almost on top of it, the narrow yard in front overgrown with shrubs that obscure first-floor windows and crowd a brick driveway leading to the detached garage. Rain pelts our faces and soaks our hair as we follow a slate walk slick with dead leaves and overgrown with weeds.
“The yard work certainly hasn’t been done in recent memory.” I raise my voice over the smacking rain. “I’m surprised if nobody complained, and it’s important to determine which lights have been on all this time and those that haven’t,” I add, because many of the windows are dark.
We hurry up steps to a covered front porch illuminated by a pair of ceiling-mounted glass lanterns, and we take off our dripping coats as the door opens wide. Douglas Burke looks monastic in white hooded coveralls, as if she’s part of some higher order, and she lets us into a small but elegant entryway, a dining room and living room on either side, a staircase curving up to the second floor.
An antique gold pendant chandelier that looks French is lighted over a Persian rug protected by heavy clear plastic, and on top are the suede lace-ups that Burke had on earlier and oxfords that I assume are Machado’s, and boxes and stacks of protective clothing. The air is stagnant and tastes like dust.
“If someone grabbed her from this place or killed her here, they didn’t leave any sign of it that I can see.” Burke hands out towels. “But I’m not that kind of expert.”
The way she says it catches my attention.
“Did you turn the porch lights on?” Benton dries his face, his hair.
“Everything on we turned on. When we got here the house was in a complete blackout. A lot of burned-out bulbs. What a night.” She closes the door. “Hope Noah’s building another ark.”
Drying off my crime scene case, I set it down next to a box of boot covers with PVC soles that one can wear without shoes, and I towel off my dripping