“We’ll be in decomp for a few minutes, then I’ve got court,” I let him know. “Hopefully they won’t hold me up too long. Marino and I will be coming straight back here to take care of this post.”
“You going to do her today?” he says, to my surprise.
I haven’t mentioned or indicated to him or anyone in my building that the victim in this case is a woman. Only Marino and Toby know.
“Yes. No matter how late it is,” I reply, as I fill in the log. “Since we don’t know who she is, let’s enter her as an unidentified white female found in the Massachusetts Bay.”
He begins typing into fields of a software package that programs a Radio Frequency Identification, or RFID, chip embedded in a smart label. Checking scene notes for the GPS coordinates, I give those to him, too, as Toby reappears, pushing an empty gurney in a hurry and loudly shoving open the door that leads out of the autopsy floor and into the bay. A laser printer sounds, and Ron slides out a yellow silicone bracelet and the smart label embedded with the information I just gave him about our most recently accessioned case.
“What have you been hearing?” I question him casually, as security cameras pick up Toby rolling the gurney toward the white transport van.
“Well, Toby said we have a Jane Doe coming in, that it could be the lady who’s been missing, the one you’re going to court about,” Ron says. “I guess you also were filmed by some TV crews while you were out there.”
“What makes you think it was TV crews, as in more than one?” I ask while I watch Toby from different angles on split screens.
He parks the gurney at the back of the van, points the key to unlock it, and I notice his lips are moving. It occurs to me he’s probably listening to his iPod as usual and singing along. But that’s not right, either. He appears to be talking emphatically. In fact, he looks agitated, as if he’s arguing with someone.
“From what I saw, you were in different locations, on different boats, at different times,” Ron describes. “The Coast Guard, the fireboat with a bunch of people from the aquarium. Some of it was filmed from the air. I do know that because you could hear the chopper in the background. But I’m not sure about all of it.”
Toby is on the phone. He’s wearing in-ear headphones that are connected to his iPhone, which is in a back pocket of his cargo pants. Maybe he’s fighting with his girlfriend again, and he shouldn’t be fighting with anyone or having any sort of personal conversation, period. He should be paying attention to his job, to his handling of evidence. It’s one of my most common complaints that staff devote just as much time to their personal lives as they do to their work, as if it’s perfectly fine to get paid for fighting with a partner or shopping online or chatting on Facebook or Twitter.
“You were doing something with what’s for sure the biggest turtle I ever saw,” Ron continues, and I’m barely listening. “Then you’re in the water getting her out. An old lady, it looks like, tied up with yellow rope.”
“You saw footage of me getting her out of the water?” I watch Toby cover the gurney with the sheet and open the tailgate, and he’s scowling now, clearly unhappy with whatever someone is saying over the phone. “Do you happen to know which TV station it was?”
“No, ma’am, Chief. That I can’t tell you for a fact,” Ron says. “Because it’s not just on the local stations. CNN, for sure, and a Yahoo headline on the Internet about a prehistoric monster turtle, and that’s the exact words, and a dead body tied to a cage that the turtle got tangled up with. I think it’s pretty much all over the Internet, pretty much everywhere.”
thirteen
THE CFC’S SEVEN CORRIDORS ARE PAINTED WHITE, their recycled glass tiles glazed a grayish brown called truffle. Soft reflective LEDs create a soothing cloud of light, and acoustical drop ceilings conceal miles of wire while cameras and RFID trackers monitor the passage of all who come here, the living and the dead.
Our round headquarters was built by a bioresearch company that went bankrupt late in construction, and with rare exception the original design is ideal for what we do—in fact, a medical examiner’s dream.