Blue Moon - Lee Child Page 0,95

the vinyl chairs. He tracked along, past the photography spot, to the next window in line. Their bedroom. No one in it. Just a made bed and a closed closet door.

But an open room door. Beyond which he saw a moving shadow out in the hallway. A complicated two-headed, four-legged shape. One half tall, the other half short. Slight movement, like a halfhearted struggle and an easy restraint.

Reacher put his hand in his pocket. Chose a fresh Glock. Seventeen rounds, plus one in the chamber. He hustled back to the kitchen door. He took a breath, and another, and backhanded his elbow through the glass, and snaked his hand in and turned the lock, one smooth movement, and he stepped inside. Noisy, obviously, which meant right on time a head stuck in, around the door to the hallway, to find out what the hell was going on. A pale face, pale eyes, fair hair. Black suit coat, white shirt, black silk necktie. Reacher aimed an inch below the knot of the tie, but he was a fair man, so he didn’t fire until he saw a hand with a gun swing into clear air, on a fast arc a yard below the face, whereupon he pulled the trigger and blew a hole in the guy big enough to stick his thumb in. The round went through and through and punched into the far wall beyond. The guy went down vertically, like a cut puppet.

The roar of the shot died away.

Silence from the hallway.

Then a faint muffled whimper, like a weak old person trying to scream, with a strong man’s hand clamped over his mouth. Or her mouth. Then the scrape of a shoe, hopeless, going nowhere. Token resistance. The dead guy was leaking blood on the parquet. It was soaking into the seams. A mess. Reacher found himself figuring a couple of yards would need to be replaced. Trulenko could pay for it. Plus spackle, for the bullet hole in the wall. And paint. Plus new glass for the kitchen door. All good.

Silence from the hallway. Reacher backed away to the outside door. The obvious play was to split up, into two squads, and send one out a back entrance, and around the building. He stepped over the broken glass and out to the yard. He turned right, and right, and right again. He paused a beat at the front of the house. He saw the Lincoln, parked on the street, with no one in it. No sign of the Jaguar. Not yet. He traced its route in his head. North to the next major cross street, west to the main drag, south to their usual turn, and then into the development, with its narrow streets and its tight right-angle corners. Five minutes, maybe. Six maximum. They wouldn’t get lost. Abby knew the way.

He moved along the front of the house, on the grass a yard from the wall, because of the foundation plantings. He looked in the hallway window at a shallow angle. Saw a second guy with a pale face and a black suit. He had his meaty left palm clamped over Maria Shevick’s mouth. In his right hand he held a gun, with its muzzle jammed hard against the side of her head. Another H&K P7, steely and delicate. His finger was tight on the trigger. Aaron Shevick was standing a yard away, rigid, wide eyed, plainly terrified. His lips were clamped. Clearly he had been told to keep quiet. Clearly he wasn’t about to risk disobedience. Not with a gun to his wife’s head.

Reacher checked the end of the cul-de-sac again. Still no Jaguar. The guy holding Maria was staring inward at the kitchen door. Waiting for whoever was in there to come on out. Directly into a classic standoff. Drop the gun or I’ll shoot the old lady. Except the guy couldn’t shoot the old lady, because a split second after he pulled the trigger he would get his own head blown off. A classic standoff. A permanent triangle. The threat vectors would go around and around forever, like a feedback loop, howling and screaming.

Reacher worked out the angles. The guy was a head taller than Maria Shevick. In a literal sense. He was holding her against him, her back to his front, with the clamped left hand, and the top of her head fit neatly under his chin. Then came his own head. At that point Reacher was looking at it from