Blackout (All Clear, #1)-Connie Willis Page 0,69

a shielded torch on the churned-up mud.

“You’re right,” Cess said. “We’ll have to put a tank over it to hide it, and—I know!—we’ll make it look as though it got stuck in the mud.”

“Tanks don’t get stuck in the mud.”

“They would in this mud,” Cess said. “We’ll only blow up three quadrants and leave the other one flat, so it’ll look like it’s listing.”

“Do you honestly think they’ll be able to see that from fifteen thousand feet?”

“No idea,” Cess said, “but if we stand here arguing, we won’t be done by morning, and the Germans will see what we’re up to. Here, lend me a hand. We’ll unload the tank and then drive the lorry back to the lane. That way we won’t have to drag it.”

Ernest helped him unload the heavy rubber pallet. Cess connected the pump and began inflating the tank. “Are you certain it’s facing the right way?” Ernest asked. “It should be facing the copse.”

“Oh, right,” Cess said, shielding his torch with his hand and shining the light on it. “No, it’s the wrong way round. Here, help me shift it.”

They pushed and shoved and dragged the heavy mass around till it faced the other way. “Now let’s hope it isn’t upside down,” Cess said. “They should put a ‘this end up’ on them, though I suppose that might make the Germans suspicious.” He began to pump. “Oh, good, there’s a tread.”

The front end of a tank began to emerge out of the flat folds of gray-green rubber, looking remarkably tanklike. Ernest watched for a moment, then fetched the phonograph, the small wooden table it sat on, and its speaker. He set them up, got the record from the lorry, placed it on the turntable, and lowered the needle. The sound of tanks rolling thunderously toward him filled the pasture, making it impossible to hear anything Cess said.

On the other hand, he thought as he wrestled the tank-tread cutter off the back of the lorry, he no longer had to switch on his torch. He could find his way simply by following the sound. Unless there were in fact cows in this pasture—which, judging by the number of fresh cowpats he was stepping in, there definitely could be.

Cess had told him on the way to Tenterden that the cutter was perfectly simple to operate. All one had to do was push it, like a lawn mower, but it was at least five times as heavy. It required bearing down with one’s whole weight on the handle to make it go even a few inches, it refused to budge at all in grass taller than two inches, and it tended to veer off at an angle. Ernest had to go back to the lorry, fetch a rake, smooth over what he’d done, then redo it several times before he had a more-or-less straight tread mark from the gate to the mired tank.

Cess was still working on the right front quadrant. “Sprang a leak,” he shouted over the rumble of tanks. “Luckily, I brought my bicycle patch kit along. Don’t come any nearer! That cutter’s sharp.”

Ernest nodded, hoisted it over in front of where the tank’s other tread would be, and started back toward the gate. “How many of these do you want?” he shouted to Cess.

“At least a dozen pair,” Cess shouted, “and some of them need to overlap. I think the fog’s beginning to lift.”

The fog was not beginning to lift. When he switched on his torch so he could return the needle to the beginning of the record, the phonograph was shrouded in mist. And even if it should lift, they wouldn’t be able to tell in this blackness. He looked at his watch. Two o’clock, and they still hadn’t inflated a tank. They were going to be stuck here forever.

Cess finally completed the mired tank and slogged across the field to the copse to do the other two, Ernest following with the cutter, making tread tracks to indicate where the tanks had driven in under the trees.

Halfway there, the sound of tanks shut off. Damn, he’d forgotten to move the needle. He had to go all the way back across the pasture to start the record, and he’d no sooner reached the cutter again than the fog did indeed lift. “I told you,” Cess said happily, and it immediately began to rain.

“The phonograph!” Cess cried, and Ernest had to rescue it and then the umbrella and prop it over the phonograph, tying it to

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