Black Out: A Novel - By Lisa Unger Page 0,62

keeps his distance as we walk down the hallway and get into the elevator. My mind is racing through options: wrong floor, wrong office, wrong building. The doctor’s dead; someone hid his body and cleaned out his office. Or someone, as Drew so eloquently put it, is fucking with me. I can see from the look on Gray’s face that he’s running the same catalog of possibilities in his mind. He’s holding my hand tightly, as if he thinks I’m going to make a run for it.

At the desk the guard gives Gray the building directory. I notice that the pages on the clipboard are crisp and new. On the list, Dr. Paul Brown, Ph.D., is nowhere to be found.

“This looks like a brand-new directory. When was it printed?” asks Gray.

The guard shrugs. “Does look new,” he admits, peering over Gray’s shoulder. “Maybe he moved his office. I don’t know.”

“Do you know him?” I ask. “Dr. Brown?”

He shakes his head. “But I’m just the night guy. Come on after most people have gone home for the day. I don’t really know anyone in the building.”

The guard is looking at me with pity now. He takes a piece of scrap paper from the drawer, writes down a name and a number.

“Nobody moved anything out of here in the last few hours?” I ask, trying not to sound as desperate and hysterical as I feel. I force my face into a mask of calm. I have learned in moments like this to keep the surface still even though the depths are raging. Animals hide fear and illness; they cannot afford weakness in the wild.

“No, no. Nothing like that tonight,” he says, handing me the paper. “This is the daytime building manager. He’d know better about all of this.”

Gray thanks him, and we leave. We walk in silence to the car, neither of us knowing what to say. We get inside and just sit for a minute. I examine the dashboard, since there’s nowhere else to rest my eyes. I can’t bring myself to look at Gray.

“I didn’t imagine the doctor—or what happened tonight,” I say.

“I know,” says Gray a little too quickly. I wonder if he’s humoring me. He puts a hand on my leg. When I find the strength to meet his eyes, I see his love for me, his compassion. This causes the tension in my shoulders to relax, my breathing to come easier.

“I saw her,” I say, remembering the moment and feeling a shudder move through my body. “I saw Ophelia.”

Worry is etched now in all the lines on his face. “You saw someone,” he says. “In the terror of the moment, your mind played a trick on you.”

“I’ve seen her before, at a cocktail party and on the street. I just didn’t recognize her.”

He moves his hand from my leg to my arm and squeezes firmly. “What are you saying, Annie? You are Ophelia. She’s not a separate person from you.”

“I know that,” I snap. What am I saying?

“Then what are you telling me?”

I take in a deep breath. “Nothing. I don’t know.”

“There was no dust on the windowsill,” he says, changing the subject. He doesn’t want to talk about Ophelia. He wants to deal with the facts, with the empirical evidence, not ghosts and hallucinations. “If it had been sitting empty for weeks, there would be dust.”

“Really?” I say, feeling hope release some of the tightness in my chest. “What does that mean?”

“It could mean that something happened there tonight, and between then and now someone cleaned and took the furniture out.” Gray releases a long breath. Does he believe this, or is he just saying it to make me feel better? I don’t know, and I don’t ask.

Anyway, I do know what he’s thinking. He wishes I’d let him meet the doctor. But I never have. I’ve needed my present happy home life never to mingle with the nightmare of my past. But maybe that was part of my folly, to ever believe that I might separate the parts of myself like that, that I could keep the person I was from poisoning the person I am…especially when my present self is a fictional character I have created to escape my own heart, my own past, my own deeds.

You belong to me. But it’s not Marlowe’s voice I hear this time. It’s Ophelia’s.

25

They waited on the road rain or shine, blistering heat or lightning storms, with posters featuring pictures of their daughters, sisters, mothers, chanting, “Murderer.

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