The Better Angels of Our Nature: Why Vio - By Steven Pinker Page 0,81

Virgin of Nuremberg was a version of the iron maiden, with spikes that were carefully positioned so as not to transfix the victim’s vital organs and prematurely end his suffering. A series of engravings show victims hung by the ankles and sawn in half from the crotch down; the display explains that this method of execution was used all over Europe for crimes that included rebellion, witchcraft, and military disobedience. The Pear is a split, spike-tipped wooden knob that was inserted into a mouth, anus, or vagina and spread apart by a screw mechanism to tear the victim open from the inside; it was used to punish sodomy, adultery, incest, heresy, blasphemy, and “sexual union with Satan.” The Cat’s Paw or Spanish Tickler was a cluster of hooks used to rip and shred a victim’s flesh. Masks of Infamy were shaped like the head of a pig or an ass; they subjected a victim both to public humiliation and to the pain of a blade or knob forced into their nose or mouth to prevent them from wailing. The Heretic’s Fork had a pair of sharp spikes at each end: one end was propped under the victim’s jaw and the other at the base of his neck, so that as his muscles became exhausted he would impale himself in both places.

The devices in the Museo della Tortura are not particularly scarce. Collections of medieval torture instruments may also be found in San Marino, Amsterdam, Munich, Prague, Milan, and the Tower of London. Illustrations of literally hundreds of kinds of torture may be seen in coffee table books like Inquisition and Torment in Art, some of them reproduced in figure 4–1. 2

Torture, of course, is not a thing of the past. It has been carried out in modern times by police states, by mobs during ethnic cleansings and genocides, and by democratic governments in interrogations and counterinsurgency operations, most infamously during the administration of George W. Bush following the 9/11 attacks. But the sporadic, clandestine, and universally decried eruptions of torture in recent times cannot be equated with the centuries of institutionalized sadism in medieval Europe. Torture in the Middle Ages was not hidden, denied, or euphemized. It was not just a tactic by which brutal regimes intimidated their political enemies or moderate regimes extracted information from suspected terrorists. It did not erupt from a frenzied crowd stirred up in hatred against a dehumanized enemy. No, torture was woven into the fabric of public life. It was a form of punishment that was cultivated and celebrated, an outlet for artistic and technological creativity. Many of the instruments of torture were beautifully crafted and ornamented. They were designed to inflict not just physical pain, as would a beating, but visceral horrors, such as penetrating sensitive orifices, violating the bodily envelope, displaying the victim in humiliating postures, or putting them in positions where their own flagging stamina would increase their pain and lead to disfigurement or death. Torturers were the era’s foremost experts in anatomy and physiology, using their knowledge to maximize agony, avoid nerve damage that might deaden the pain, and prolong consciousness for as long as possible before death. When the victims were female, the sadism was eroticized: the women were stripped naked before being tortured, and their breasts and genitals were often the targets. Cold jokes made light of the victims’ suffering. In France, Judas’s Cradle was called “The Nightwatch” for its ability to keep a victim awake. A victim might be roasted alive inside an iron bull so his screams would come out of the bull’s mouth, like the bellowing of a beast. A man accused of disturbing the peace might be forced to wear a Noisemaker’s Fife, a facsimile of a flute or trumpet with an iron collar that went around his neck and a vise that crushed the bones and joints of his fingers. Many torture devices were shaped like animals and given whimsical names.

FIGURE 4–1. Torture in medieval and early modern Europe

Sources: Sawing: Held, 1986, p. 47. Cat’s Paw: Held, 1986, p. 107. Impalement: Held, 1986, p. 141. Burning at the stake: Pinker, 2007a. Judas’s Cradle: Held, 1986, p. 51. Breaking on the wheel: Puppi, 1990, p. 39.

Medieval Christendom was a culture of cruelty. Torture was meted out by national and local governments throughout the Continent, and it was codified in laws that prescribed blinding, branding, amputation of hands, ears, noses, and tongues, and other forms of mutilation as punishments for minor crimes. Executions were orgies