The Better Angels of Our Nature: Why Vio - By Steven Pinker Page 0,15

the conversos to confess their hidden apostasy, the inquisitors tied their arms behind their backs, hoisted them by their wrists, and dropped them in a series of violent jerks, rupturing their tendons and pulling their arms out of their sockets.32 Many others were burned alive, a fate that also befell Michael Servetus for questioning the trinity, Giordano Bruno for believing (among other things) that the earth went around the sun, and William Tyndale for translating the Bible into English. Galileo, perhaps the most famous victim of the Inquisition, got off easy: he was only shown the instruments of torture (in particular, the rack) and was given the opportunity to recant for “having held and believed that the sun is the center of the world and immovable, and that the earth is not the center and moves.” Today the rack shows up in cartoons featuring elasticized limbs and bad puns (Stretching exercises; Is this a wind-up? No pain no gain). But at the time it was no laughing matter. The Scottish travel writer William Lithgow, a contemporary of Galileo’s, described what it was like to be racked by the Inquisition:As the levers bent forward, the main force of my knees against the two planks burst asunder the sinews of my hams, and the lids of my knees were crushed. My eyes began to startle, my mouth to foam and froth, and my teeth to chatter like the doubling of a drummer’s sticks. My lips were shivering, my groans were vehement, and blood sprang from my arms, broken sinews, hands, and knees. Being loosed from these pinnacles of pain, I was hand-fast set on the floor, with this incessant imploration: “Confess! Confess!” 33

Though many Protestants were victims of these tortures, when they got the upper hand they enthusiastically inflicted them on others, including a hundred thousand women they burned at the stake for witchcraft between the 15th and 18th centuries.34 As so often happens in the history of atrocity, later centuries would treat these horrors in lighthearted ways. In popular culture today witches are not the victims of torture and execution but mischievous cartoon characters or sassy enchantresses, like Broom-Hilda, Witch Hazel, Glinda, Samantha, and the Halliwell sisters in Charmed.

Institutionalized torture in Christendom was not just an unthinking habit; it had a moral rationale. If you really believe that failing to accept Jesus as one’s savior is a ticket to fiery damnation, then torturing a person until he acknowledges this truth is doing him the biggest favor of his life: better a few hours now than an eternity later. And silencing a person before he can corrupt others, or making an example of him to deter the rest, is a responsible public health measure. Saint Augustine brought the point home with a pair of analogies: a good father prevents his son from picking up a venomous snake, and a good gardener cuts off a rotten branch to save the rest of the tree.35 The method of choice had been specified by Jesus himself: “If a man abide not in me, he is cast forth as a branch, and is withered; and men gather them, and cast them into the fire, and they are burned.”36

Once again, the point of this discussion is not to accuse Christians of endorsing torture and persecution. Of course most devout Christians today are thoroughly tolerant and humane people. Even those who thunder from televised pulpits do not call for burning heretics alive or hoisting Jews on the strappado. The question is why they don’t, given that their beliefs imply that it would serve the greater good. The answer is that people in the West today compartmentalize their religious ideology. When they affirm their faith in houses of worship, they profess beliefs that have barely changed in two thousand years. But when it comes to their actions, they respect modern norms of nonviolence and toleration, a benevolent hypocrisy for which we should all be grateful.

MEDIEVAL KNIGHTS

If the word saintly deserves a second look, so does the word chivalrous. The legends of knights and ladies in King Arthur’s time have provided Western culture with some of its most romantic images. Lancelot and Guinevere are the archetypes of romantic love, Sir Galahad the embodiment of gallantry. Camelot, the name of King Arthur’s court, was used as the title of a Broadway musical, and when word got out after John F. Kennedy’s assassination that he had enjoyed the sound track, it became a nostalgic term for his administration. Kennedy’s favorite lines reportedly