long tail feathers, ready to tear it to pieces. The boy with the stick hit hard against the belly and they all shrieked. He hit it again. I couldn't see the stick but I heard the sickening whack when it made contact.
I looked away. I'd arrived in Grace, arrived at that moment in my life, without knowing how to make the kind of choice that was called for here. I'm not the moral guardian in my family. Nobody, not my father, no one had jumped in to help when I was a child getting whacked by life, and on the meanest level of instinct I felt I had no favors to return. Especially to a bird. It was Hallie's end of my conscience that kept pinching me as I walked. I dropped my bags and walked a little faster, trying to think of some commanding thing to say. If they didn't stop soon the thing would be maimed or dead.
"Stop it!" I yelled. My heart was thumping. "You're killing that bird!"
The boy froze like a rabbit in headlights. The other kids, down on their knees, stared too. I'd arrested them in the act of grabbing fistfuls of bright paper and candy that sparkled on the ground. The mute peacock swung over their heads on a wire. Its fractured body hung in clay shards the size of plate, held together by a crepe-paper skin.
When I was ten I'd demolished a pinata exactly like this one, with blue paper wings and a long glossy tail of real feathers. At a birthday party. At some time or other every child in Grace had done the same.
After an impossible few seconds they went back to scrambling for their prize. Two older girls helped the smallest kids scoop candy into piles in their laps. A cluster of boys elbowed and slapped each other behind the girls' backs.
I felt disoriented and disgraced, a trespasser on family rites. I walked away from the little group of kids back toward the place in the center of the orchard where I must have left my suitcases. I wondered in what dim part of Grace I'd left my childhood.
Chapter 3
HOMERO
3 The Flood
The leaves shine like knife blades in the beam of his flashlight. The rain has slowed, but the arroyo is still a fierce river of mud and uprooted trees that won't crest until dawn. He is wet and chilled to his spine. The girls are lost. The sound of the flood makes his blood cold.
They wanted to gather prickly-pear fruits for jelly. They knew a storm was coming and they went anyway, while he was in his workroom. He follows the narrow animal path between thickets of thorn scrub along the bank, shining his light along the edge of the rising water. Acacias lean into the river with their branches waving wildly in the current, like mothers reaching in for lost babies. The girls ignore his cautions because they are willful children who believe nothing can harm them. Hallie is bad but Cosima is worse, pretty and stubborn as a wild horse but without an animal's instincts for self-preservation-and she's the older. She should have some sense.
He forces his body through the bank of oleanders near the house and turns back toward the riverbed to search the arroyo to the south. He has no idea which way they would have gone; they roam this desert like pocket mice. And everything in a desert is poisonous or thorned. Good Lord, he has already lost a wife, and did not think his heart would live beyond her. Wished it wouldn't. He slashes at the oleanders with the metal flashlight. He'd meant to cut these down when Cosima was born. One well-chewed leaf could bring on cardiac arrest in a child. He'd seen a case years ago, or was it later, after the girls left home? That blue girl?
Doc Homer sits up in his bed and stares at the orange pill bottles on the windowsill. There is light at the window. It's a Sunday morning in August. It is only a month ago he lost that blue girl. His own daughters are grown and living somewhere else, looking after themselves, but his heart is still pumping hard. His circulatory system believes they are still lost.
He turns his pillow and rests his head on it carefully because his brain gets jostled and things move around inside his head like olives in a jar of brine. Think about the flood. He is going south