The Angel Esmeralda - By Don DeLillo Page 0,13

being candidates for an embarrassing demise, the kind of mistake or unforeseen event that tends to make a nation grope for the appropriate response. As men in war, we can be certain, dying, that we will arouse uncomplicated sorrows, the open and dependable feelings that grateful nations count on to embellish the simplest ceremony.

A note about the universe. Vollmer is on the verge of deciding that our planet is alone in harboring intelligent life. We are an accident and we happened only once. (What a remark to make, in egg-shaped orbit, to someone who doesn’t want to discuss the larger questions.) He feels this way because of the war.

The war, he says, will bring about an end to the idea that the universe swarms, as they say, with life. Other astronauts have looked past the star points and imagined infinite possibility, grape-clustered worlds teeming with higher forms. But this was before the war. Our view is changing even now, his and mine, he says, as we drift across the firmament.

Is Vollmer saying that cosmic optimism is a luxury reserved for periods between world wars? Do we project our current failure and despair out toward the star clouds, the endless night? After all, he says, where are they? If they exist, why has there been no sign, not one, not any, not a single indication that serious people might cling to, not a whisper, a radio pulse, a shadow? The war tells us it is foolish to believe.

Our dialogues with Colorado Command are beginning to sound like computer-generated teatime chat. Vollmer tolerates Colorado’s jargon only to a point. He is critical of their more debased locutions and doesn’t mind letting them know. Why, then, if I agree with his views on this matter, am I becoming irritated by his complaints? Is he too young to champion the language? Does he have the experience, the professional standing to scold our flight-dynamics officer, our conceptual-paradigm officer, our status consultants on waste-management systems and evasion-related zonal options? Or is it something else completely, something unrelated to Colorado Command and our communications with them? Is it the sound of his voice? Is it just his voice that is driving me crazy?

Vollmer has entered a strange phase. He spends all his time at the window now, looking down at the earth. He says little or nothing. He simply wants to look, do nothing but look. The oceans, the continents, the archipelagoes. We are configured in what is called a cross-orbit series and there is no repetition from one swing around the earth to the next. He sits there looking. He takes meals at the window, does checklists at the window, barely glancing at the instruction sheets as we pass over tropical storms, over grass fires and major ranges. I keep waiting for him to return to his prewar habit of using quaint phrases to describe the earth: it’s a beach ball, a sun-ripened fruit. But he simply looks out the window, eating almond crunches, the wrappers floating away. The view clearly fills his consciousness. It is powerful enough to silence him, to still the voice that rolls off the roof of his mouth, to leave him turned in the seat, twisted uncomfortably for hours at a time.

The view is endlessly fulfilling. It is like the answer to a lifetime of questions and vague cravings. It satisfies every childlike curiosity, every muted desire, whatever there is in him of the scientist, the poet, the primitive seer, the watcher of fire and shooting stars, whatever obsessions eat at the night side of his mind, whatever sweet and dreamy yearning he has ever felt for nameless places faraway, whatever earth sense he possesses, the neural pulse of some wilder awareness, a sympathy for beasts, whatever belief in an immanent vital force, the Lord of Creation, whatever secret harboring of the idea of human oneness, whatever wishfulness and simplehearted hope, whatever of too much and not enough, all at once and little by little, whatever burning urge to escape responsibility and routine, escape his own overspecialization, the circumscribed and inward-spiraling self, whatever remnants of his boyish longing to fly, his dreams of strange spaces and eerie heights, his fantasies of happy death, whatever indolent and sybaritic leanings—lotus-eater, smoker of grasses and herbs, blue-eyed gazer into space—all these are satisfied, all collected and massed in that living body, the sight he sees from the window.

“It is just so interesting,” he says at last. “The colors and all.”

The colors and all.

PART TWO

The