of his life. Each man, when he sleeps, dreams of counting money, of stacks and paper bands and numbers which climb inevitably, which are sorted and lost. Each of the three men has idly wondered, not less than once a week, how to evade the casino’s security systems and run off with as much money as he could haul; and, reluctantly, each man has inspected the dream and found it impractical, has settled for a steady paycheck, avoided the twin specters of prison and an unmarked grave.
And here, in the sanctum sanctorum, there are the three men who count the money, and there are the guards who watch and who bring money and take it away; and then there is another person. His charcoal-gray suit is immaculate, his hair is dark, he is clean-shaven, and his face, and his demeanor, are, in every sense, forgettable. None of the other men has even observed that he is there, or if they have noticed him, they have forgotten him on the instant.
As the shift ends the doors are opened, and the man in the charcoal suit leaves the room and walks, with the guards, through the corridors, their feet shushing along the monogrammed carpets. The money, in strongboxes, is wheeled to an interior loading bay, where it is loaded into armored cars. As the ramp door swings open, to allow the armored car out onto the early streets of Las Vegas, the man in the charcoal suit walks, unnoticed, through the doorway, and saunters up the ramp, out onto the sidewalk. He does not even glance up to see the imitation of New York on his left.
Las Vegas has become a child’s picture book dream of a city—here a storybook castle, there a sphinx-flanked black pyramid beaming white light into the darkness as a landing beam for UFOs, and everywhere neon oracles and twisting screens predict happiness and good fortune, announce singers and comedians and magicians in residence or on their way, and the lights always flash and beckon and call. Once every hour a volcano erupts in light and flame. Once every hour a pirate ship sinks a man o’ war.
The man in the charcoal suit ambles comfortably along the sidewalk, feeling the flow of the money through the town. In the summer the streets are baking, and each store doorway he passes breathes wintry A/C out into the sweaty warmth and chills the sweat on his face. Now, in the desert winter, there’s a dry cold, which he appreciates. In his mind the movement of money forms a fine lattice-work, a three-dimensional cat’s-cradle of light and motion. What he finds attractive about this desert city is the speed of movement, the way the money moves from place to place and hand to hand: it’s a rush for him, a high, and it pulls him like an addict to the street.
A taxi follows him slowly down the street, keeping its distance. He does not notice it; it does not occur to him to notice it: he is so rarely noticed himself that he finds the concept that he could be being followed almost inconceivable.
It’s four in the morning, and he finds himself drawn to a hotel and casino that has been out of style for thirty years, still running until tomorrow or six months from now when they’ll implode it and knock it down and build a pleasure palace where it was, and forget it forever. Nobody knows him, nobody remembers him, but the lobby bar is tacky and quiet, and the air is blue with old cigarette smoke and someone’s about to drop several million dollars on a poker game in a private room upstairs. The man in the charcoal suit settles himself in the bar several floors below the game, and is ignored by a waitress. A Muzak version of “Why Can’t He Be You” is playing, almost subliminally. Five Elvis Presley impersonators, each man wearing a different colored jumpsuit, watch a late-night rerun of a football game on the bar TV.
A big man in a light gray suit sits at the man in the charcoal suit’s table, and, noticing him even if she does not notice the man in the charcoal suit, the waitress, who is too thin to be pretty, too obviously anorectic to work Luxor or the Tropicana, and who is counting the minutes until she gets off work, comes straight over and smiles. He grins widely at her. “You’re looking a treat tonight, m’dear, a