American Elsewhere - By Robert Jackson Bennett Page 0,4

man, but its head appears strange: sprouting from the top of its skull are two long, thin ears, or possibly horns. It does not move or speak; it does not seem to even breathe. It simply stands there, watching the bound man from the edge of the pines, and due to the bright light from behind it is impossible to discern anything more.

“Oh my God,” whispers Dee. “Is that it?”

Zimmerman turns away. “Don’t look at it!” he says. “Come on, run!”

As they climb back up to the road the voice of the bound man cuts through the sound of the waterfall: “What? N-no! No, not you! I didn’t do anything to you! I never did anything to you, I didn’t!”

“Jesus,” says Norris. He moves to look back.

“Don’t!” says Zimmerman. “Don’t attract its attention! Just get up to the car!”

When they vault over the highway barrier the shouts from the waterfall turn into screams. The light in the trees begins to shudder, as if more and more moths are coming to flit around its source. From this height the three men could look down and see what is happening there at the foot of the waterfall, but they keep their eyes averted, staring into the starlit asphalt or the lightning in the clouds.

They climb into the car and sit in silence as the screams persist. They are screams of unspeakable agony, yet they do not seem to end. The driver hits the tuner on the radio again. It’s Buddy Holly again, but this time he’s singing “Love Is Strange.”

“Must be playing a marathon or something,” says Dee softly.

Norris clears his throat and says, “Yeah.” He turns the volume up until the song overpowers the shrieks from the valley below.

Dee is right: it is a marathon, and next comes “Valley of Tears,” and after that is “I’m Changing All Those Changes.” The screams continue while the men listen to the radio, swallowing and sweating and sometimes clasping their heads. The scent of sweaty terror in the car intensifies.

Then the unearthly light beside the road dies. The men look at each other. Norris turns the radio down, and they find the screams have stopped.

As the last of that septic yellow light drains out of the pines, dozens more lights appear farther up the mesa. They are common office lights, the lights of many structures standing on the mesa. It’s as if they all share a common power source that’s just been turned back on.

“Well, I’ll be damned,” says Zimmerman. “He was right. The lab’s up and running again.”

There is a moment of shocked silence as the three men stare at the lights on the mesa. “Should we call Bolan?” asks Norris.

Zimmerman takes out a cell phone, then rethinks. “Let’s get the body first,” he says.

“Is it safe?” asks Dee.

“It’ll be done by now,” says Zimmerman, but he does not sound totally sure.

At first they do not move. Then Zimmerman opens his car door. After a moment of reluctance, the other two follow suit. They walk to the side of the road and stare down at the waterfall, which is now dark. There is no sign of anything unusual having transpired on the rocks. There is only the spatter of the waterfall, the hiss of the pines, and the pinkish light of the moon.

Finally they climb back over the barrier and begin the awkward journey down. As they descend, Norris takes one last glance up at the lights on the top of the mesa. “I wonder who it’s bringing here,” he says softly.

There is an angry shush from Zimmerman, as if the trees themselves could hear, and the men continue into the darkness in silence.

CHAPTER TWO

Mona Bright’s been to some pretty piss-poor funerals in her day, but she has to admit that this one takes the cake. It even beats her cousin’s funeral in Kentucky, when the grave was hand-dug in a tiny church graveyard. That was a pretty medieval affair, she knows, but at least then the gravediggers were all family members, and they treated the ceremony with a little dignity. Here in this miserable potter’s field in the middle of nowhere, there is no one to attend but her and the gravedigger, a local contractor with a backhoe who currently has his rattling old vehicle parked just beside the open grave. He hasn’t even turned it off, he just has it idling. He sits on the footstep and when he isn’t wiping his face clean of sweat he is eye-fucking her something