Amberville - By Tim Davys Page 0,47

an editor from Doomsbury found me at the Century Bar just over a week later. He paid my tab—that was the condition for me being able to leave the place—and with that, half of my advance for the poems was used up. Out on the street I sobered up enough that I could sign the contract. But I was nonetheless pleased; I would make my debut as a poet.

When my first book of poems was reviewed I’d been living at home with Nicole Fox for the past several days. She smelled of meadow flowers, she knew what I would say before I said it, and she had perfect pitch for when I wanted to be close and when I needed space. I was still a miserable animal without anything to risk, without spine or value, but with every day that I spent with Nicole something was growing inside me. It was self-worth. approach…honeysuckle received an effusively warm reception. Without my understanding it—because I was a fool in heart and soul—it was my living together with Nicole Fox that gave me strength, and not the cane-wielding critics at the daily papers. But I believed that my newly awakened power had to do with the book, and, with Nicole’s enthusiastic approval, I set out into the city to fill my arms with application forms. My life as a paralyzed hyena was over; I was intoxicated by a sense of my own will. Together with my beautiful fox, I sat the entire day and half the night, filling in small squares and writing my name on dotted lines. I applied for grants and jobs, for the first time in my life.

Everything went so fast. After many tough years of life without content, it seemed as though everything happened overnight. A marvelous everyday life emerged together with Nicole Fox. She was living in a roomy two-room apartment in Tourquai, and her neighborhood was a universe that unexpectedly opened itself to me. There was the bakery that sold bread over counters out toward the sidewalk, which is why there was always the aroma of fresh-baked rolls on the street. There was the café at the corner by the park where the milk foam was always shaped into a heart. Nicole and I lived in this idyllic state. The months passed, and finally we were on our way to being caught by grim reality that sent us insistent reminders of telephone, water, and electrical bills. It was then that I got my grant. One day in August, an anonymous, brown envelope from the Ministry of Culture’s Office of Grants was lying on the hallway floor in all modesty. We celebrated that evening with a bottle of champagne, but we had a bad conscience from having been extravagant and skipped breakfast the next morning.

It was a lovely time.

Hindsight’s common sense fills us with the knowledge of that which was, and that which is to come. But you have to be loyal to your younger self. What I did then, I could not have done better.

It took time to gather together the sequel to my first collection of poems. I was filled with life: I had begun not just one but two degree programs, one whose purpose was to complement the sorts of things I had gone without, and a second in order to go further in life. The poems I wrote became short and empty, light as air and just as transient. Nicole read them, and, without taking the enjoyment from me, she was definite in her criticism. Between the first collection and the happy verses I was squeezing out of me there was now a chasm. This chasm, said my wise fox, was considerably more interesting than the verses at hand.

We got married. I had no expectations about the ceremony itself. I was neither a believer nor an atheist, I didn’t have time to invite either relatives or friends, and yet I felt so proud that I was about to burst. In a little pavilion in Parc Clemeaux where the Afternoon Weather struck drumrolls against the roof, such that the deacon was forced to raise his voice: there I wed Nicole Fox. It felt like I made her my property, and I was ashamed of that feeling. We had dinner at a nice restaurant on Rue Dalida, and then Nicole fell asleep, worn out, at midnight. I sat up writing without interruption. It became a long suite of poems about hes and shes. The words dripped

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