tattooed on her skin. I wonder when she got it—I wonder what put that dangerous look in her eyes, what put such drama in her speech, what made her become a revolutionary.
"How do you plan on doing that?"
She sets her jaw and says, "By taking away some of the Bureau's power."
The alley opens up to a wide street. Some people prowl along the edges, but others walk right in the middle, in lurching groups, bottles swinging from their hands. Everyone I see is young— not many adults in the fringe, I guess.
I hear shouting up ahead, and glass shattering on the pavement. A crowd there stands in a circle around two punching, kicking figures.
I start toward them, but Nita grabs my arm and drags me toward one of the buildings.
"Not the time to be a hero," she says.
We approach the door to the building on the corner. A large man stands beside it, spinning a knife in his palm. When we walk up the steps, he stops the knife and tosses it into his other hand, which is gnarled with scars.
His size, his deftness with the weapon, his scarred and dusty appearance—they are all supposed to intimidate me. But his eyes are like that deer's eyes, large and wary and curious.
"We're here to see Rafi," she says. "We're from the compound."
"You can go in, but your knives stay here," the man says. His voice is higher, lighter than I expected. He could be a gentle man, maybe, if this were a different kind of place. As it is, I see that he isn't gentle, doesn't even know what that means.
Even though I myself have discarded any kind of softness as useless, I find myself thinking that something important is lost if this man has been forced to deny his own nature.
"Not a chance," Nita says.
"Nita, is that you?" says a voice from inside. It is expressive, musical. The man to whom it belongs is short, with a wide smile. He comes to the doorway. "Didn't I tell you to just let them in? Come in, come in."
"Hi, Rafi," she says, her relief obvious. "Four, this is Rafi. He's an important man in the fringe."
"Nice to meet you," Rafi says, and he beckons for us to follow him.
Inside is a large, open room lit by rows of candles and lanterns. There is wooden furniture strewn everywhere, all the tables empty but one.
A woman sits in the back of the room, and Rafi slides into the chair beside her. Though they don't look the same—she has red hair and a generous frame; his features are dark and his body, spare as wire—they have the same sort of look, like two stones hewn by the same chisel.
"Weapons on the table," Rafi says.
This time, Nita obeys, putting her knife on the edge of the table right in front of her. She sits. I do the same. Across from us, the woman surrenders a gun.
"Who's this?" the woman says, jerking her head toward me.
"This is my associate," Nita says. "Four."
"What kind of a name is 'Four'?" She doesn't ask with a sneer, the way people have often asked me that question.
"The kind you get inside the city experiment," Nita says. "For having only four fears."
It occurs to me that she might have introduced me by that name just to have an opportunity to share where I'm from. Does it give her some kind of leverage? Does it make me more trustworthy to these people?
"Interesting." The woman taps the table with her index finger. "Well, Four, my name is Mary."
"Mary and Rafi lead the Midwest branch of a GD rebel group," Nita says.
"Calling it a 'group' makes us sound like old ladies playing cards," Rafi says smoothly. "We're more of an uprising. Our reach stretches across the country— there's a group for every metropolitan area that exists, and regional overseers for the Midwest, South, and East."
"Is there a West?" I say.
"Not anymore," Nita says quietly. "The terrain was too difficult to navigate and the cities too spread out for it to be sensible to live there after the war. Now it's wild country."
"So it's true what they say," Mary says, her eyes catching the light like slivers of glass as she looks at me. "The people in the city experiments really don't know what's outside."
"Of course it's true, why would they?" Nita says.
Fatigue, a weight behind my eyes, creeps up on me suddenly. I have been a part of too many uprisings in my short life.