that you won't be able to tell anyone—even Tris —about what you see. Are you all right with that?"
"She's trustworthy, you know." I promised Tris I wouldn't keep secrets from her anymore. I shouldn't get into situations where I'll have to do it again. "Why can't I tell her?"
"I'm not saying she isn't trustworthy. It's just that she doesn't have the skill set we need, and we don't want to put anyone at risk that we don't have to. See, the Bureau doesn't want us to organize. If we believe we're not 'damaged,' then we're saying that everything they're doing—the experiments, the genetic alterations, all of it—is a waste of time. And no one wants to hear that their life's work is a sham."
I know all about that—it's like finding out that the factions are an artificial system, designed by scientists to keep us under control for as long as possible.
She pulls away from the wall, and then she says the only thing she could possibly say to make me agree:
"If you tell her, you would be depriving her of the choice I'm giving you now. You would force her to become a coconspirator. By keeping this from her, you would be protecting her."
I run my fingers over my name, carved into the metal panel, Tobias Eaton. These are my genes, this is my mess. I don't want to pull Tris into it.
"All right," I say. "Show me."
I watch her flashlight beam bob up and
down with her footsteps. We just retrieved a bag from a mop closet down the hall—she was ready for this. She leads me deep into the underground hallways of the compound, past the place where the GDs gather, to a corridor where the electricity no longer flows. At a certain place she crouches and slides her hand along the ground until her fingers reach a latch. She hands me the flashlight and pulls back the latch, lifting a door from the tile.
"It's an escape tunnel," she says. "They dug it when they first came here, so there would always be a way to escape during an emergency."
From her bag she takes a black tube and twists off the top. It sprays sparks of light that glow red against her skin. She releases it over the doorway and it falls several feet, leaving a streak of light on my eyelids. She sits on the edge of the hole, her backpack secure around her shoulders, and drops.
I know it's just a short way down, but it feels like more with the space open beneath me. I sit, the silhouette of my shoes dark against the red sparks, and push myself forward.
"Interesting," Nita says when I land. I lift up the flashlight, and she holds the flare out in front of her as we walk down the tunnel, which is just wide enough for the two of us to walk side by side, and just tall enough for me to straighten up. It smells rich and rotten, like mold and dead air. "I forgot you were afraid of heights."
"Well, I'm not afraid of much else," I say.
"No need to get defensive!" She smiles. "I actually have always wanted to ask you about that."
I step over a puddle, the soles of my shoes gripping the gritty tunnel floor.
"Your third fear," she says. "Shooting that woman. Who was she?"
The flare goes out, so the flashlight I'm holding is our only guide through the tunnel. I shift my arm to create more space between us, not wanting to skim her arm in the dark.
"She wasn't anyone in particular," I say. "The fear was shooting her."
"You were afraid of shooting people?"
"No," I say. "I was afraid of my considerable capacity to kill."
She is silent, and so am I. That's the first time I've ever said those words out loud, and now I hear how strange they are. How many young men fear that there is a monster inside them? People are supposed to fear others, not themselves. People are supposed to aspire to become their fathers, not shudder at the thought.
"I've always wondered what would be in my fear landscape." She says it in a hushed tone, like a prayer. "Sometimes I feel like there is so much to be afraid of, and sometimes I feel like there is nothing left to fear."
I nod, though she can't see me, and we keep moving, the flashlight beam bouncing, our shoes scraping, the moldy air rushing toward us from whatever is on the other end.