When she turns to lead me wherever we're going, I see that her loose shirt is low in the back, and there's a tattoo on her spine, but I can't make out what it is.
"You get tattoos too, here?" I say.
"Some people do," she says. "The one on my back is of broken glass." She pauses, the kind of pause you take when you're deciding whether or not to share something personal. "I got it because it suggests damage. It's . . . sort of a joke."
There's that word again, "damage," the one that's been sinking and surfacing, sinking and surfacing in my mind since the genetic test. If it's a joke, it's not a funny one even for Nita—she spits out the explanation like it tastes bitter to her.
We walk down one of the tiled corridors, nearly empty now at the end of a workday, and down a flight of stairs. As we descend, blue and green and purple and red lights dance over the walls, shifting between colors with each second. The tunnel at the bottom of the stairs is wide and dark, with only the strange light to guide us. The floor here is old tile, and even through my shoe soles, it feels grainy with dirt and dust.
"This part of the airport was completely redone and expanded when they first moved in here," Nita says. "For a while, after the Purity War, all the laboratories were underground, to keep them safer if they were attacked. Now it's just the support staff who goes down here."
"Is that who you want me to meet?"
She nods. "Support staff is more than just a job. Almost all of us are GDs— genetically damaged, leftovers from the failed city experiments or the descendants of other leftovers or people pulled in from the outside, like Tris's mother, except without her genetic advantage. And all of the scientists and leaders are GPs—genetically pure, descendants of people who resisted the genetic engineering movement in the first place. There are some exceptions, of course, but so few I could list them all for you if I wanted to."
I am about to ask why the division is so strict, but I can figure it out for myself. The so-called "GPs" grew up in this community, their worlds saturated by experiments and observation and learning. The "GDs" grew up in the experiments, where they only had to learn enough to survive until the next generation. The division is based on knowledge, based on qualifications—but as I learned from the factionless, a system that relies on a group of uneducated people to do its dirty work without giving them a way to rise is hardly fair.
"I think your girl's right, you know," Nita says. "Nothing has changed; now you just have a better idea of your own limitations. Every human being has limitations, even GPs."
"So there's an upward limit to . . . what? My compassion? My conscience?" I say. "That's the reassurance you have for me?"
Nita's eyes study me, carefully, and she doesn't respond.
"This is ridiculous," I say. "Why do you, or they, or anyone get to determine my limits?"
"It's just the way things are, Tobias," Nita says. "It's just genetic, nothing more."
"That's a lie," I say. "It's about more than genes, here, and you know it."
I feel like I need to leave, to turn and run back to the dormitory. The anger is boiling and churning inside me, filling me with heat, and I'm not even sure who it's for. For Nita, who has just accepted that she is somehow limited, or for whoever told her that? Maybe it's for everyone.
We reach the end of the tunnel, and she nudges a heavy wooden door open with her shoulder. Beyond it is a bustling, glowing world. The room is lit by small, bright bulbs on strings, but the strings are so densely packed that a web of yellow and white covers the ceiling. On one end of the room is a wooden counter with glowing bottles behind it, and a sea of glasses on top of it. There are tables and chairs on the left side of the room, and a group of people with musical instruments on the right side. Music fills the air, and the only sounds I recognize—from my limited experience with the Amity—are plucked guitar strings and drums.
I feel like I am standing beneath a spotlight and everyone is watching me, waiting for me to move, speak, something. For a moment it's