All the Light We Cannot See - Anthony Doerr Page 0,78

a moment, a thousand miles away. She misses Papa, Paris, Dr. Geffard, the gardens, her books, her pinecones—all are holes in her life. But over these past few weeks, her existence has become tolerable. At least, out on the beaches, her privation and fear are rinsed away by wind and color and light.

Most afternoons, after making the morning rounds with Madame, Marie-Laure sits on her bed with the window open and travels her hands over her father’s model of the city. Her fingers pass the shipbuilder’s sheds on the rue de Chartres, pass Madame Ruelle’s bakery on the rue Robert Surcouf. In her imagination she hears the bakers sliding about on the flour-slick floor, moving in the way she imagines ice skaters must move, baking loaves in the same four-hundred-year-old oven that Monsieur Ruelle’s great-great-grandfather used. Her fingers pass the cathedral steps—here an old man clips roses in a garden; here, beside the library, Crazy Harold Bazin murmurs to himself as he peers with his one eye into an empty wine bottle; here is the convent; here’s the restaurant Chez Chuche beside the fish market; here’s Number 4 rue Vauborel, its door slightly recessed, where downstairs Madame Manec kneels beside her bed, shoes off, rosary beads slipping through fingers, a prayer for practically every soul in the city. Here, in a fifth-floor room, Etienne walks beside his empty shelves, trailing his fingers over the places where his radios once stood. And somewhere beyond the borders of the model, beyond the borders of France, in a place her fingers cannot reach, her father sits in a cell, a dozen of his whittled models on a windowsill, a guard coming toward him with what she wants very badly to believe is a feast—quail and duck and stewed rabbit. Chicken legs and potatoes fried with bacon and apricot tarts—a dozen trays, a dozen platters, as much as he can eat.

Nadel im Heuhaufen

Midnight. Dr. Hauptmann’s hounds bound through frozen fields beside the school, drops of quicksilver skittering through the white. Behind them comes Hauptmann in his fur cap, walking with short strides as though counting paces over some great distance. In the rear comes Werner, carrying the pair of transceivers he and Hauptmann have been testing for months.

Hauptmann turns, his face bright. “Nice spot here, good sight lines, set it down, Pfennig. I’ve sent our friend Volkheimer ahead. He’s somewhere on the hill.” Werner sees no tracks, only a humped swale of glitter in the moonlight, and the white forest beyond.

“He has the KX transmitter in an ammunition box,” Hauptmann says. “He is to conceal himself and broadcast steadily until we find him or his battery dies. Even I do not know where he is.” He smacks his gloved hands together, and the dogs swirl around him, their breath smoking. “Ten square kilometers. Locate the transmitter, locate our friend.”

Werner looks out at the ten thousand snow-mantled trees. “Out there, sir?”

“Out there.” Hauptmann draws a flask from his pocket and unscrews it without looking at it. “This is the fun part, Pfennig.”

Hauptmann stamps a clearing in the snow, and Werner sets up the first transceiver, uses measuring tape to pace off two hundred meters, and sets up the second. He uncoils the grounding wires, raises the aerials, and switches them on. Already his fingers are numb.

“Try eighty meters, Pfennig. Typically teams won’t know what band to search. But for tonight, our first field test, we’ll cheat a bit.”

Werner puts on the headset and fills his ears with static. He dials up the RF gain, adjusts the filter. Before long, he has tuned in both receivers to Volkheimer’s transmitter pinging along. “I have him, sir.”

Hauptmann starts smiling in earnest. The dogs caper and sneeze with excitement. From his coat he produces a grease pencil. “Just do it on the radio. Teams won’t always have paper, not in the field.”

Werner sketches out the equation on the metal casing of the transceiver and starts plugging in numbers. Hauptmann hands him a slide rule. In two minutes Werner has a vector and a distance: two and a half kilometers.

“And the map?” Hauptmann’s little aristocratic face gleams with pleasure.

Werner uses a protractor and compass to draw the lines.

“Lead on, Pfennig.”

Werner folds the map into his coat pocket, packs up the transceivers, and carries one in each hand like matching suitcases. Tiny snow crystals sift down through the moonlight. Soon the school and its outbuildings look like toys on the white plain below. The moon slips lower, a half-lidded eye, and