All the Light We Cannot See - Anthony Doerr Page 0,61

he is doing everything wrong. That he never quite understood the rules. All those Parisian mothers pushing buggies through the Jardin des Plantes or holding up cardigans in department stores—it seemed to him that those women nodded to each other as they passed, as though each possessed some secret knowledge that he did not. How do you ever know for certain that you are doing the right thing?

There is pride, too, though—pride that he has done it alone. That his daughter is so curious, so resilient. There is the humility of being a father to someone so powerful, as if he were only a narrow conduit for another, greater thing. That’s how it feels right now, he thinks, kneeling beside her, rinsing her hair: as though his love for his daughter will outstrip the limits of his body. The walls could fall away, even the whole city, and the brightness of that feeling would not wane.

The drain moans; the cluttered house crowds in close. Marie turns up her wet face. “You’re leaving. Aren’t you?”

He is glad, just now, that she cannot see him.

“Madame told me about the telegram.”

“I won’t be long, Marie. A week. Ten days at most.”

“When?”

“Tomorrow. Before you wake.”

She leans over her knees. Her back is long and white and split by the knobs of her vertebrae. She used to fall asleep holding his index finger in her fist. She used to sprawl with her books beneath the key pound bench and move her hands like spiders across the pages.

“Am I to stay here?”

“With Madame. And Etienne.”

He hands her a towel and helps her climb onto the tile and waits outside while she puts on her nightgown. Then he walks her up to the sixth floor and into their little room, though he knows she does not need to be guided, and he sits on the edge of the bed and she kneels beside the model and sets three fingers on the steeple of the cathedral.

He finds the hairbrush, does not bother turning on the lamp.

“Ten days, Papa?”

“At most.” The walls creak; the window between the curtains is black; the town prepares to sleep. Somewhere out there, German U-boats glide above underwater canyons, and thirty-foot squid ferry their huge eyes through the cold dark.

“Have we ever spent a night apart?”

“No.” His gaze flits through the unlit room. The stone in his pocket seems almost to pulse. If he manages to sleep tonight, what will he dream?

“Can I go out while you are gone, Papa?”

“Once I get back. I promise.”

As tenderly as he can, he draws the brush through the damp strands of his daughter’s hair. Between strokes, they can hear the sea wind rattle the window.

Marie-Laure’s hands whisper across the houses as she recites the names of the streets. “Rue des Cordiers, rue Jacques Cartier, rue Vauborel.”

He says, “You’ll know them all in a week.”

Marie-Laure’s fingers rove to the outer ramparts. The sea beyond. “Ten days,” she says.

“At most.”

Weakest (#2)

December sucks the light from the castle. The sun hardly clears the horizon before sinking away. Snow falls once, twice, then stays locked over the lawns. Has Werner ever seen snow this white, snow that was not fouled immediately with ash and coal dust? The only emissaries from the outside world are the occasional songbird who lands in the lindens beyond the quadrangle, blown astray by distant storm or battle or both, and two callow-faced corporals who come into the refectory every week or so—always after the prayer, always just as the boys have placed the first morsel of dinner in their mouths—to pass beneath the blazonry and stop behind a cadet and whisper in his ear that his father has been killed in action.

Other nights a prefect yells Achtung! and the boys stand at their benches and Bastian the commandant waddles in. The boys look down at their food in silence while Bastian walks the rows, trailing a single index finger across their backs. “Homesick? We mustn’t trouble ourselves over our homes. In the end we all come home to the führer. What other home matters?”

“No other!” shout the boys.

Every afternoon, no matter the weather, the commandant blows his whistle and the fourteen-year-olds trot outside and he looms over them with his coat stretched across his belly and his medals chiming and the rubber hose twirling. “There are two kinds of death,” he says, the clouds of his breath plunging out into the cold. “You can fight like a lion. Or you can go as easy as lifting

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