All the Light We Cannot See - Anthony Doerr Page 0,132

ramparts. A place where he used to play with his brother, Henri, and Harold Bazin. A small dripping cavern where a boy could shout and dream.

Stick-thin, alabaster-pale Etienne LeBlanc runs down the rue de Dinan with Madame Ruelle, the baker’s wife, on his heels: the least-robust rescue ever assembled. The cathedral bells chime one two three four, all the way to eight; Etienne turns down the rue du Boyer and reaches the slightly angled base of the ramparts, traveling the paths of his youth, navigating by instinct; he turns right, passes through the curtain of swinging ivy, and ahead, behind the same locked gate, in the grotto, shivering, wet to her thighs, wholly intact, crouches Marie-Laure with the ruins of a loaf of bread in her lap. “You came,” she says when she lets them in, when he takes her face in his hands. “You came . . .”

The Girl

Werner thinks of her, whether he wishes to or not. Girl with a cane, girl in a gray dress, girl made of mist. That air of otherworldliness in the snarls of her hair and the fearlessness of her step. She takes up residence inside him, a living doppelgänger to face down the dead Viennese girl who haunts him every night.

Who is she? Daughter of the broadcasting Frenchman? Granddaughter? Why would he endanger her so?

Volkheimer keeps them out in the field, roving villages along the Rance River. It seems certain that the broadcasts will be blamed for something, and Werner will be found out. He thinks of the colonel with his perfect jawline and flared pants; he thinks of the sallow sergeant major eyeing him over the top of the newspaper. Do they already know? Does Volkheimer? What can save him now? There were nights when he’d stare with Jutta out the attic window of Children’s House and pray for the ice to grow out from the canals, to reach across the fields and envelop the tiny pit houses, crush the machinery, pave over everything, so they’d wake in the morning to find everything they knew was gone. This is the sort of miracle he needs now.

On the first of August, a lieutenant comes to Volkheimer. The demand for men on the lines, he says, is overwhelming. Anyone not essential to the defense of Saint-Malo must go. He needs at least two. Volkheimer looks them over, each in turn. Bernd too old. Werner the only one who can repair the equipment.

Neumann One. Neumann Two.

An hour later, both are seated in the back of a troop carrier with their rifles between their knees. A great change has occurred in the countenance of Neumann Two, as though he looks not at his former companions but into his last hours on earth. As though he is about to ride in some black chariot at a forty-five-degree angle down into the abyss.

Neumann One raises a single steady hand. His mouth is expressionless, but in the wrinkles at the corners of his eyes, Werner can see despair.

“In the end,” murmurs Volkheimer as the truck heaves away, “none of us will avoid it.”

That night Volkheimer drives the Opel east along a coastal road toward Cancale, and Bernd takes the first transceiver out to a knoll in a field, and Werner operates the second from the back of the truck, and Volkheimer stays folded into the driver’s seat, his huge knees jammed against the wheel. Fires—perhaps on ships—burn far out to sea, and the stars shudder in their constellations. At two twelve A.M., Werner knows, the Frenchman will broadcast again, and Werner will have to switch off the transceiver or else pretend that he hears only static.

He will cover the signal meter with his palm. He will keep his face completely motionless.

Little House

Etienne says he never should have let her take on so much. Never should have put her in such danger. He says she can no longer go outside. In truth, Marie-Laure is relieved. The German haunts her: in nightmares, he’s a spider crab three meters high; he clacks his claws and whispers One simple question into her ear.

“What about the loaves, Uncle?”

“I will go. I should have been going all along.”

On the mornings of the fourth and fifth of August, Etienne stands at the front door mumbling to himself, then pushes open the gate and goes out. Soon afterward, the bell under the third-floor table rings and he comes back in and throws both dead bolts and stands in the foyer breathing as though he has passed