All the Birds in the Sky - Charlie Jane Anders Page 0,107

We need to get you out of here.”

“Screw me,” Dirth said. “Protect the machine. That’s what they’re here for.”

Laurence was still staring down at Dorothea. A man sprinted toward Dorothea, shooting his semiautomatic to no effect. When the man reached Dorothea, his head separated from his neck, as if she had a razor-sharp whip. The man fell one way, his head rolled the other. Laurence looked down at the dead body and hesitated one second longer. Then he turned toward Milton.

“You’re going to want a white noise machine,” Laurence said. “Something so she can’t hear herself speak.” Laurence waited to be struck dumb, but apparently he hadn’t broken his promise.

“What do you—” the man with the gun said.

“The fabrication machine,” Milton said. “It’s near where she is. Turn on the goddamn fabricator.”

Laurence took off running. He ignored Milton yelling after him and the men with the guns shouting for him to stop. Once in the stairwell, he took the stairs three at a time. He made for the bright exit, shouting, “Patricia!”

Dorothea recognized Laurence as he came out into the parking lot. She nodded at him, but didn’t stop talking about the grandmother and the lost children. Laurence waved at her and kept running, around the side of the building. Around Dorothea’s feet lay the headless bodies of four men.

The fabricator turned on just as Laurence was ten yards away, near the tiny window to his own lab. It was a deafening clatter, and for the first time Dorothea looked flustered. She kept trying to talk, but she stumbled over a word. And then another.

Laurence didn’t hear the gunshot over the noise of the fabricator, but he saw the back of Dorothea’s head go out. She fell, so she was almost touching the bodies of her own kills.

Nobody thought to turn off the fabrication machine, so the air was still filled with churn. Laurence stared at the dead body in the long flowy skirt for a moment, remembering when he’d eaten tacos with her. Then he thought about the fact that Patricia had to be here someplace, and took off running again.

Patricia was rising off the ground. Laurence had thought she couldn’t fly, but there she was. She floated on the wind, like a balloon that some kid had lost hold of at the fairground. Patricia was so close to Laurence, closer than she’d been in months, but he had no way to get to her. He called out, but she couldn’t hear him over the white noise. He screamed her name until his voice was shot.

Patricia looked peaceful, her arms spread a little, like a snow angel. Her feet pointed down. She wore no shoes. Her socks had pom-poms over the heels. Her shadow fell right over Laurence’s eyes, and her path converged with the gantry that had the precious wormhole machine on it. He tried to get her attention, but she was too far away now. By the time Patricia reached the top, she was a dot. But what happened next was easy to see from the ground: Lightning poured out of the sky, from a cloud that hadn’t been there a moment earlier. Slash after slash, until smoke floated down. The light blinded him, but he couldn’t look away, and he screamed Patricia’s name with his hoarse, smoke-singed throat. Laurence could barely stand because he felt like his center of gravity was being crushed by seeing her dear shadow against the hideous white glare. Cinders and twisted pieces of the wormhole machine rained down and nearly hit Laurence’s hot wet face.

BOOK FOUR

28

EVERYBODY WAS SINGING madrigals. Tight staggered harmonies that rang with a lightness that had sharp pieces of melancholy embedded in it. Quartets, quintets, and bigger groups went door-to-door in residential areas or barged into bare-bones eateries, holding sheet music and wearing modest black linen-cotton outfits. A pitch pipe sounding a single note was your only warning that your heart was about to be wrecked. “Now Is the Month of Maying,” “O Morte,” even crazy Carlo Gesualdo. People would stop whatever they were doing and listen to madrigals, until they were tear-soaked. Something about the way the trebles and altos would introduce a soaring melodic line, and then the tenors or basses would come in to fuck it up, was like the musical knife-twist you never saw coming. After the flood, everyone agreed that madrigals were the soundtrack of our lives.

Deedee dropped out of her ska-punk band and joined an eight-person madrigal chorus. She had a clot