Zone One - By Colson Whitehead Page 0,34
climate-controlled government storehouse.
Any structure under twenty stories was left to the sweepers. Hence Mark Spitz. When his unit finished number 135, they were done with Duane x Church, Mixed Residential/Business. Then it was on to the next.
“Shouldn’t be too many hostiles,” Kaitlyn said. They started back up the stairs of 135 Duane. The sweepers gobbled and assimilated the military lingo into their systems with gusto. Mingled with the fresh slang, the new vocabulary of the disaster was their last-ditch armor plate. They tucked it under their fatigues, over their hearts, the holy verses that might catch the bullet.
Other phrases in vogue were less invigorating and uplifting: extinction, doomsday, end of the world. They lacked zing. They did not stir the masses from their poly-this poly-that inflatable mattresses to pledge their lives to reconstruction. Early in the reboot, Buffalo agreed on the wisdom of rebranding survival. They maintained a freakish menagerie of specialists up there, superior brains yanked from the camps, and what did these folks do all day but try and think up better ways to hone the future, tossing ideograms up on whiteboards and conferring at their self-segregated tables in the sublevel cafeteria, lowering their voices when outsiders walked by balancing orange trays. Some of them were hard at work crafting the new language, and they came up with more than a few winners; the enemy they faced would not succumb to psychological warfare, but that didn’t mean that the principles needed to remain unutilized.
It was a new day. Now, the people were no longer mere survivors, half-mad refugees, a pathetic, shit-flecked, traumatized herd, but the “American Phoenix.” The more popular diminutive pheenie had taken off in the settlements, which also endured their round of cosmetics, as Camp 14 was rechristened New Vista, and Roanoke became Bubbling Brooks. Mark Spitz’s first civilian camp was Happy Acres, and indeed everyone’s mood did brighten a bit on seeing that name on the gate next to the barbed wire and electric fencing. Mark Spitz thought the merchandise helped out a lot, too, the hoodies and sun visors and such. The frigid hues and brittle lines of the logo conformed to a very popular design trend in the months preceding Last Night, and it was almost as if the culture was picking up where it left off.
Omega discovered 135 Duane’s lone straggler on four. After the conference room, it was clear sailing, no skels, and since this was not a residential building, no pets, the odd bichon frise or hypoallergenic kitty decomping on the scuffed aquamarine corridor tile. The fourth floor had been hacked into a warren of one- and two-room offices, most without windows. Last-chance operations outracing collection agencies and bankruptcy judges, slumping into sadder and shoddier offices in their withering prospects. Half extinct before the coming of the plague, it was that last bad winter that wiped them off the Earth.
The straggler stood in the back room of an empty office. No telling what the former enterprise had been. Half-crushed cardboard boxes rested on the beige carpet next to crumpled sheets covered with the black lines and rows of the best-selling spreadsheet program. A beat-up telephone trailed its umbilicus, caught mid-crawl from the premises. The copy machine dominated the back room, buttons grubbed by fingerprints, paper tray sticking out like a fat green tongue. The straggler’s right hand held up the cover and he bent slightly. Like all stragglers, he did not flinch at their approach. He peered into the glassed-off guts of the machine, as still as the dust, bent paper clips, overnight-mail packaging, and other assorted leavings in the room.
“Ned the Copy Boy enjoyed his job. Enjoyed it too much,” Mark Spitz said.
“Come on, you can do better than that,” Kaitlyn said.
He was a young man, dwindled in his clothes like all skels, but his red bow tie cinched his collar around his neck. He appeared to have been bitten in his armpit; a cone of dried blood terminated there, fanning out in the lumpy shape of a rocket ship’s exhaust.
Gary thought and contributed, “More toner, stat!”
Kaitlyn rattled off in quick succession: “My God, it’s full of stars.” And, “If we can identify whose gluteus maximus this is, we’ll have our culprit.” Finally, “I can see my house from here.”
Solve the Straggler broke up the day with its meager amusements and unearthed a vein of humor in Kaitlyn, a glimpse of the kind of wit she had shared with her friends, family, and members of her favored social-media networks.