The Woman in the Window - A. J. Finn Page 0,86

He’s looking past me, out the window.

“You know,” he says, after a moment, “I don’t know what I’d do if anything happened to my girls.” His eyes are on mine now. “Don’t know what I’d do.”

He clears his throat, raises a hand. “Bye.” He steps into the hall, draws the door closed behind him.

A moment later I hear the front door shut.

I stand in my kitchen, watch little galaxies of dust form and dissolve in the sunlight.

My hand creeps to my glass. I pick it up gingerly, rotate it in my hand. Lift it to my face. Inhale.

Then I throw the fucking thing against the wall and scream louder than I’ve ever screamed in my life.

76

I sit at the edge of the bed, staring straight ahead. Shadows play on the wall before me.

I’ve lit a candle, a little potted Diptyque, fresh out of the box, a Christmas present from Livvy two years back. Figuier. She loves figs.

Loved.

A ghost of a draft haunts the room. The flame shifts, clings to the wick.

An hour passes. Then another.

The candle is burning fast, wick half-drowned in a soft pool of wax. I’m slumped over where I sit. My fingers are cradled between my thighs.

The phone lights up, shivers. Julian Fielding. He’s supposed to see me tomorrow. He won’t.

Night falls like a curtain.

That’s when your troubles started, Little said. Your problems going outside.

At the hospital, they told me I was in shock. Then shock became fear. Fear mutated, became panic. And by the time Dr. Fielding arrived on the scene, I was—well, he said it simplest, said it best: “A severe case of agoraphobia.”

I need the familiar confines of my home—because I spent two nights in that alien wilderness, beneath those huge skies.

I need an environment I can control—because I watched my family as they slowly died.

You’ll notice I’m not asking what made you this way, she said to me. Or, rather, I said it to myself.

Life made me this way.

“Guess who?”

I shake my head. I don’t want to talk to Ed right now.

“How you feeling, slugger?”

But I shake my head again. I can’t speak, won’t speak.

“Mom?”

No.

“Mommy?”

I flinch.

No.

At some point I keel to one side, sleep. When I wake, my neck sore, the candle flame has dwindled to a tiny blot of blue, shimmying in the cool air. The room is plunged in darkness.

I sit up, stand up, creaking, a rusty ladder. Drift to the bathroom.

As I return, I see the Russell place lit up like a dollhouse. Upstairs, Ethan sits at his computer; in the kitchen, Alistair seesaws a knife across a cutting board. Carrots, neon-bright beneath the kitchen glare. A glass of wine stands on the counter. My mouth goes dry.

And in the parlor, on the striped love seat, is that woman. I suppose I should call her Jane.

Jane’s got a phone in her hand, and with the other she slashes and stabs at it. Scrolling through family photos, maybe. Playing solitaire, or something—games these days all seem to involve fruit.

Or else she’s updating her friends. Remember that freak neighbor . . . ?

My throat hardens. I walk to the windows and tug the curtains shut.

And I stand there in the dark: cold, utterly alone, full of fear and something that feels like longing.

Tuesday, November 9

77

I spend the morning in bed. Sometime before noon, bleary with sleep, I find my fingers tapping out a message to Dr. Fielding: Not today.

He calls me five minutes later, leaves a voicemail. I don’t listen to it.

Midday ticks past; by three p.m. my stomach is cramping. I ferry myself downstairs and pluck a bruised tomato from the fridge.

As I bite into it, Ed tries to speak to me. Then Olivia. I turn away from them, pulp dribbling down my chin.

I feed the cat. I swallow a temazepam. Then a second. Then a third. Fold myself into sleep. All I want is sleep.

Wednesday, November 10

78

Hunger wakes me. In the kitchen I tilt a box of Grape Nuts into a bowl, chase it with some milk, expiration date today. I don’t even much like Grape Nuts; Ed does. Did. They pebble-dash my throat, scour the insides of my cheeks. I don’t know why I keep buying them.

Except of course I do.

I want to retreat to bed, but instead I aim my feet toward the living room, tread slowly to the television console, drag the drawer open. Vertigo, I think. Mistaken identity—or rather, taken identity. I know the dialogue by heart; strangely, it’ll soothe me.

“What’s the matter with you?” the

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