The witching hour - By Anne Rice Page 0,344

impression on those around her. “She was so … mature, you know. A young girl has no business really having enormous breasts like that at the age of sixteen.”

Poor Deirdre. I found myself on the verge of asking whether or not the teacher thought mutilation was appropriate in these circumstances, then terminated the interview. I went back to the hotel, drank a stiff brandy, and lectured myself on the dangers of becoming emotionally involved.

Unfortunately I was no less emotional when I visited the Garden District the following day, and the day after that, during which time I spent hours walking through the quiet streets and observing the First Street house from all angles. After years of reading of this place and its inhabitants, I found this extremely exciting. But if ever a house exuded an atmosphere of evil, it was this house.

Why? I asked myself.

By this time it was extremely neglected. The violet paint had faded from the masonry. Weeds and tiny ferns grew in crevices on the parapets. Flowering vines covered the side galleries so that the ornamental ironwork was scarcely visible, and the wild cherry laurels screened the garden from view.

Nevertheless it ought to have been romantic. Yet in the heavy summer heat, with the burnished sun shining drowsily and dustily through the trees, the place looked damp and dark and decidedly unpleasant. During the idle hours that I stood contemplating it, I noted that passersby invariably crossed the street when they approached it. And though its flagstone walk was slick with moss and cracked from the roots of the oak trees, so were other sidewalks in the area which people did not seek to avoid.

Something evil lived in this house, lived and breathed as it were, and waited, and perhaps mourned.

Accusing myself again, and with reason, of being overemotional, I defined my terms. This something was evil, because it was destructive. It “lived and breathed” in the sense that it influenced the environment and its presence could be felt. As for my belief that this “something” was in mourning, I needed only to remind myself that no workman had made any repairs on the place since Stella’s death. Since Stella’s death the decline had been steady and unbroken. Did not the thing want the house to rot even as Stella’s body decayed in the grave?

Ah, so many unanswered questions. I went to the Lafayette Cemetery and visited the Mayfair tomb. A kindly caretaker volunteered the information that there were always fresh flowers in the stone vases before the face of the crypt, though no one ever saw the person who put them there.

“Do you think it is some old lover of Stella Mayfair’s?” I asked.

“Oh, no,” said the elderly man, with a cracking laugh. “Good heavens, no. It’s him, that’s who it is, the Mayfair ghost. He’s the one that puts those flowers there. And you want to know something? Sometimes he takes them off the altar at the chapel. You know, the chapel, down there on Prytania and Third? Father Morgan came here one afternoon just steaming. Seems he had just put out the gladiolus, and there they were in the vases before the Mayfair grave. He went by and rang the bell over there on First Street. I heard Miss Carl told him to go to hell.” The man laughed and laughed at such an idea … somebody telling a priest to go to hell.

Renting a car, I drove down the river road to Riverbend and explored what was left of the plantation, and then I called our undercover society investigator, Juliette Milton, and invited her to lunch.

She was more than happy to provide me with an introduction to Beatrice Mayfair. Beatrice agreed to meet me for lunch, accepting without the slightest question my superficial explanation that I was interested in southern history and the history of the Mayfair family.

Beatrice Mayfair was thirty-five years old, an attractively dressed dark-haired woman with a charming blend of southern and New Orleans (Brooklyn, Boston) accent, and something of a “rebel” as far as the family was concerned.

For three hours she talked to me nonstop at Galatoire’s, pouring out all sorts of little stories about the Mayfair family, and verifying what I had already suspected, that little or nothing was known in the present time about the family’s remote past. It was the most vague sort of legend, in which names were confused, and scandal had become near preposterous.

Beatrice didn’t know who built Riverbend, or when. Or even who