The witching hour - By Anne Rice Page 0,253

her almost enough morphia to kill her. She would be lying there out of her mind, and in he’d come, drunk, and wake her up, saying, ‘Mary Beth, I need you.’ What a poor drunken fool he was. And she would say to him, ‘Come, Daniel, lie beside me, Daniel.’ And to think she was in such pain. It was Stella who told me that … the last time I ever saw her. Alive that is. I went up there one last time after that—for Stella’s funeral. And there she was in the coffin, it was a miracle the way Lonigan closed up that wound. Just beautiful she was, lying there, and all the Mayfairs in that room. But that was the last time I saw her alive, as I was saying … And the things she said about Carlotta, of how Carlotta was cold to Mary Beth in those last months, why, it would make your hair stand on end.

“Imagine a daughter being cold to a mother who was dying like that. But Mary Beth took no notice of it. She just lay there, in pain, half dreaming, Stella said, not knowing where she was, sometimes talking out loud to Julien as if she could see him in the room, and of course Stella was by her night and day, you can be sure of that; how Mary Beth loved Stella.

“Why, Mary Beth told me once that she could put all her other children in a sack and throw them in the Mississippi River, for all she cared. Stella was the only one that mattered. ’Course she was joking. She was never mean to those children. I remember how she used to read by the hour to Lionel when he was little, and help him with his schooling. She got him the best teachers when he didn’t want to go to school. None of the children did well in school, except for Carlotta, naturally. Stella was expelled from three different schools, I believe. Carlotta was the only one who really did well, and a lot of good it did her.

“But what was I saying? Oh, yes. Sometimes I felt I had no place in the house. Whatever the case, I went out. I went to the Quarter. It was the days of Storyville, you know, when prostitution was legal here, and Julien had taken me down to Lulu White’s Mahogany Hall himself one night and to the other fashionable places, and he didn’t much care if I went on my own.

“Well, I said I was going that night. And Julien didn’t mind. He was up there snug in the third-floor bedroom with his books and his hot chocolate, and his Victrola. Besides, he knew I was only looking. And so I went down there, strolling past all those little houses—you know, the cribs they used to call them—with the girls in the front doors beckoning for me to come in, and of course I had not the slightest intention of doing it.

“Then my eyes fell on this beautiful young man, I mean a simply beautiful young man. And he stood in one of the alleyways down there, with his arms folded, leaning against the side of the house, simply looking at me. ‘Bon soir, Richard,’ he said to me and I recognized the voice at once, the French accent. It was Julien’s. And I saw that the man was Julien! Only he couldn’t have been past twenty! I tell you I never had such a start. I almost cried out. It was worse than seeing a ghost. And the fellow was gone, like that, vanished.

“I couldn’t get to a cab fast enough and I went right straight home to First Street. Julien opened the front door for me. He was wearing his robe, and puffing on his obnoxious pipe and laughing. ‘I told you I would show you what I looked like when I was twenty!’ he said. He laughed and laughed.

“I remember I followed him into the parlor. And it was such a lovely room, then, nothing like it is now, you should have seen it. Absolutely lovely French pieces, mostly Louis Cinque, which Julien had bought himself in Europe when he went with Mary Beth. So light and elegant and simply lovely. That art deco furniture was all Stella’s doing. She thought it was quite the thing, what with potted palms everywhere! The only good piece of furniture was that Bözendorfer piano. The place looked perfectly mad