The Wicked King (The Folk of the Air #2) - Holly Black Page 0,67

seven of them. Even if I wanted to try, my sword is still tied to my horse. All I have are a few knives.

“Come down, human girl,” says one with silvery eyes.

“We heard of your viciousness. We heard of your ferocity,” says another in a deep, melodious voice that might be female. “Do not disappoint us.”

A third notches another black-tipped arrow.

“If I am to be a cat, let me give you a scratch,” I say, pulling two leaf-shaped knives from my sides and sending them in two shining arcs toward the riders.

One misses, and the other hits armor, but I hope it’s enough of a distraction for me to tug the axe from the wood. Then, I move. I jump from branch to branch as arrows fly all around, grateful for everything the Ghost ever taught me.

Then an arrow takes me in the thigh.

I am unable to bite back a cry of pain. I start moving again, pushing through the shock, but my speed is gone. The next arrow hits so near my side that it’s only luck that saves me.

They can see too well, even in the dark. They can see so much better than I can.

The riders have all the advantages. Up in the trees, so long as I can’t hide, all I am presenting is a slightly tricky target, but the fun kind of tricky. And the more tired I get, the more I bleed, the more I hurt, the slower I will become. If I don’t change the game, I am going to lose.

I have to even the odds. I have to do something they won’t expect. If I can’t see, then I must trust my other senses.

Sucking in a deep breath, ignoring the pain in my leg and the arrow still sticking out of it, axe in hand, I take a running jump off the branch with a howl.

The riders try to turn their horses to get away from me.

I catch a rider in the chest with the axe. The point of it folds his armor inward. Which is quite a trick—or would have been if I didn’t lose my balance a moment later. The weapon comes out of my hand as I fall. I hit the dirt hard, knocking the breath out of me. Immediately, I roll to avoid hoof strikes. My head is ringing, and my leg feels as though it’s on fire when I push myself to my feet. I cracked the spine of the arrow sticking out of me, but I drove the point deeper.

The rider I struck is hanging in his saddle, his body limp, and his mouth bubbling red.

Another rider wheels to the side while a third comes straight on. I draw a knife as the archer coming toward me attempts to switch back to his sword.

Six to one is much better odds, especially when four of the riders are hanging back, as though they hadn’t considered that they could get hurt, too.

“Ferocious enough for you?” I shout at them.

The silver-eyed rider comes at me, and I throw my knife. It misses him but hits the horse in the flank. The animal rears up. But as he tries to get his mount back under control, another barrels toward me. I grab for the axe, take a deep breath, and focus.

The skeletal horse watches me with its pupil-less white eyes. It looks hungry.

If I die here in the woods because I wasn’t better prepared, because I was too distracted to bother to strap on my own stupid sword, I will be absolutely furious with myself.

I brace as another rider bears down on me, but I am not sure I can withstand the charge. Frantically, I try to come up with another option.

When the horse is close, I drop to the ground, fighting every instinct for survival, every urge to run from the huge animal. It rushes over me, and I lift the axe and chop upward. Blood spatters my face.

The creature runs a little farther, and then drops with a vicious keening sound, trapping its rider’s leg underneath its bulk.

I push to my feet, wiping my face, just in time to see the silver-eyed knight preparing to charge. I grin at him, lifting the bloody axe.

The amber-eyed rider heads toward his fallen comrade, calling for the others. The silver-eyed knight wheels around at the sound, heading toward his companions. The trapped rider struggles as I watch the other two knights pulling him free and up onto one of the other

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