The Wicked King (The Folk of the Air #2) - Holly Black Page 0,51

to strip them off. Certainly, I don’t find it. Tangled in the fabric, feeling foolish, I realize I could stop this now. I could gather up my things and go. But I don’t.

He shucks his cuffed white shirt over his head in a single elegant gesture, revealing bare skin and scars. My hands are shaking. He captures them and kisses my knuckles with a kind of reverence.

“I want to tell you so many lies,” he says.

I shudder, and my heart hammers as his hands skim over my skin, one sliding between my thighs. I mirror him, fumbling with the buttons of his breeches. He helps me push them down, his tail curling against his leg then twisting to coil against mine, soft as a whisper. I reach over to slide my hand over the flat plane of his stomach. I don’t let myself hesitate, but my inexperience is obvious. His skin is hot under my palm, against my calluses. His fingers are too clever by half.

I feel as though I am drowning in sensation.

His eyes are open, watching my flushed face, my ragged breathing. I try to stop myself from making embarrassing noises. It’s more intimate than the way he’s touching me, to be looked at like that. I hate that he knows what he’s doing and I don’t. I hate being vulnerable. I hate that I throw my head back, baring my throat. I hate the way I cling to him, the nails of one hand digging into his back, my thoughts splintering, and the single last thing in my head: that I like him better than I’ve ever liked anyone and that of all the things he’s ever done to me, making me like him so much is by far the worst.

One of the hardest things to do as a spy, as a strategist, or even just as a person, is wait. I recall the Ghost’s lessons, making me sit for hours with a crossbow in my hand without my mind wandering, waiting for the perfect shot.

So much of winning is waiting.

The other part, though, is taking the shot when it comes. Unleashing all that momentum.

In my rooms again, I remind myself of that. I can’t afford to be distracted. Tomorrow, I need to get Vivi and Oak from the mortal world, and I need to come up with either a scheme better than Madoc’s or a way to make Madoc’s scheme safer for Oak.

I concentrate on what I am going to say to Vivi, instead of thinking of Cardan. I do not want to consider what happened between us. I do not want to think about the way his muscles moved or how his skin felt or the soft gasping sounds he made or the slide of his mouth against mine.

I definitely don’t want to think about how hard I had to bite my own lip to keep quiet. Or how obvious it was that I’d never done any of the things we did, no less the things we didn’t do.

Every time I think of any of it, I shove the memory away as fiercely as possible. I shove it along with the enormous vulnerability I feel, the feeling of being exposed down to my raw nerves. I do not know how I will face Cardan again without behaving like a fool.

If I cannot attack the problem of the Undersea and I cannot attack the problem of Cardan, then perhaps I can take care of something else.

It is a relief to don a suit of dark fabric and high leather boots, to holster blades at my wrists and calves. It is a relief to do something physical, heading through the woods and then slyfooting my way into a poorly guarded house. When one of the residents comes in, my knife is at his throat faster than he can speak.

“Locke,” I say sweetly. “Are you surprised?”

He turns to me, dazzling smile faltering. “My blossom. What is this?”

After an astonished moment, I realize that he thinks I am Taryn. Can he really not tell the difference between us?

A bitter pit where my heart should be is pleased by the thought.

“If you think my sister would put a knife to your throat, perhaps you should delay your nuptials,” I tell him, taking a step back and pointing to a chair with the point. “Go ahead. Sit.”

He sits down just as I kick the chair, sending it backward and him sprawling to the floor. He rolls over, glaring at me with