olive skin. She lined up Kya and her two older sisters in a row on the faded sofa, told them to stick out their bare feet, and painted all those toes and then their fingernails. Then she did her own, and they laughed and had a fine time flouncing around the yard, flashing their pink nails. Pa was off somewhere, but the boat was moored at the lagoon. Ma came up with the idea of all the girls going out in the boat, something they had never done.
They climbed into the old skiff, still cavorting like they were tipsy. It took a few pulls to get the outboard cranked, but finally it jumped to, and off they went, Ma steering across the lagoon and into the narrow channel that led to the marsh. They breezed along the waterways, but Ma didn’t know all that much about it, and when they went into a shallow lagoon, they got stuck in gummy black mud, thick as tar. They poled this way and that but couldn’t budge. There was nothing left to do but climb over the side, skirts and all, sinking in the muck up to their knees.
Ma hollering, “Now don’t turn it over, girls, don’t turn it over,” they hauled on the boat until it was free, squealing at one another’s muddy faces. It took some doing to get back in, flopping over the side like so many landed fish. And, instead of sitting on the seats, the four of them squinched up on the bottom of the boat all in a line, holding their feet to the sky, wiggling their toes, their pink nails gleaming through the mud.
Lying there Ma said, “You all listen now, this is a real lesson in life. Yes, we got stuck, but what’d we girls do? We made it fun, we laughed. That’s what sisters and girlfriends are all about. Sticking together even in the mud, ’specially in mud.”
Ma hadn’t bought any polish remover, so when it began to peel and chip, they had faded, patchy pink nails on all their fingers and toes, reminding them of the good time they’d had, and that real-life lesson.
Looking at the old bottle, Kya tried to see her sisters’ faces. And said out loud, “Where’re you now, Ma? Why didn’t you stick?”
* * *
• • •
AS SOON AS SHE REACHED the oak clearing the next afternoon, Kya saw bright, unnatural colors against the muted greens and browns of the forest. On the stump was a small red-and-white milk carton and next to it another feather. It seemed the boy had upped the ante. She walked over and picked up the feather first.
Silver and soft, it was from the crest of a night heron, one of the most beautiful of the marsh. Then she looked inside the milk carton. Rolled up tight were some packages of seeds—turnips, carrots, and green beans—and, at the bottom of the carton, wrapped in brown paper, a spark plug for her boat engine. She smiled again and turned a little circle. She had learned how to live without most things, but now and then she needed a spark plug. Jumpin’ had taught her a few minor engine repairs, but every part meant a walk to town and cash money.
And yet here was an extra spark plug, to be set aside until needed. A surplus. Her heart filled up. The same feeling as having a full tank of gas or seeing the sunset under a paint-brushed sky. She stood absolutely still, trying to take it in, what it meant. She had watched male birds wooing females by bringing them gifts. But she was pretty young for nesting.
At the bottom of the carton was a note. She unfolded it and looked at the words, written carefully in simple script that a child could read. Kya knew the time of the tides in her heart, could find her way home by the stars, knew every feather of an eagle, but even at fourteen, couldn’t read these words.
She had forgotten to bring anything to leave. Her pockets yielded only ordinary feathers, shells, and seedpods, so she hurried back to the shack and stood in front of her feather-wall, window-shopping. The most graceful were the tail feathers from a tundra swan. She took one from the wall to leave at the stump next time she passed.
As evening fell, she took her blanket and slept in the marsh, close to a gully full of moon and mussels, and had two