Where the Crawdads Sing - Delia Owens Page 0,16

dad as he greased parts and tightened bolts by a dim lightbulb. All the while the soaring, sweet opera lifted higher into the sky.

Scupper’s great-great-grandfather, emigrating from Scotland, had shipwrecked off the coast of North Carolina in the 1760s and was the only survivor. He swam to shore, landing on the Outer Banks, found a wife, and fathered thirteen children. Many could trace their roots back to that one Mr. Walker, but Scupper and Tate stayed mostly to themselves. Didn’t join the Sunday picnic spreads of chicken salad and deviled eggs with their relatives often, not like they had when his mother and sister were still there.

Finally, in the graying dusk, Scupper slapped Tate on the shoulders. “All done. Let’s get home, get supper on.”

They walked up the wharf, down Main, and out a winding road to their house, a two-story with weathered cedar-shake siding, built in the 1800s. The white window trim had been painted fresh, and the lawn running almost to the sea was cut neat. But the azaleas and rosebushes next to the house sulked in weeds.

Pulling off yellow boots in the mudroom, Scupper asked, “You tired of burgers?”

“Never tired of burgers.”

Tate stood at the kitchen counter, picking up globs of hamburger meat, forming patties, and placing them on a plate. His mother and sister, Carianne, both wearing baseball caps, grinned at him from a picture hanging next to the window. Carianne loved that Atlanta Crackers cap, had worn it everywhere.

He looked away from them, started slicing tomatoes, stirring baked beans. If not for him, they’d be here. His mother basting a chicken, Carianne cutting biscuits.

As usual Scupper got the burgers a bit black, but they were juicy inside and thick as a small city phone book. Both hungry, they ate in silence for a while, and then Scupper asked Tate about school.

“Biology’s good; I like it, but we’re doing poetry in English class. Can’t say I like it much. We each gotta read one out loud. You used to recite some, but I don’t remember them.”

“I got the poem for you, son,” Scupper said. “My favorite—‘The Cremation of Sam McGee’ by Robert Service. Used to read it out to y’all. Was your mama’s favorite. She laughed every time I read it, never got tired of it.”

Tate looked down at the mention of his mother, pushed his beans around.

Scupper went on. “Don’t go thinking poetry’s just for sissies. There’s mushy love poems, for sure, but there’s also funny ones, lots about nature, war even. Whole point of it—they make ya feel something.” His dad had told him many times that the definition of a real man is one who cries without shame, reads poetry with his heart, feels opera in his soul, and does what’s necessary to defend a woman. Scupper walked to the sitting room, calling back, “I used to know most of it by heart, but not anymore. But here it is, I’ll read it to ya.” He sat back down at the table and began reading. When he got to this segment:

“And there sat Sam, looking cool and calm, in the heart of the furnace roar;

And he wore a smile you could see a mile, and he said, ‘Please close that door.

It’s fine in here, but I greatly fear you’ll let in the cold and storm—

Since I left Plumtree down in Tennessee, it’s the first time I’ve been warm.’”

Scupper and Tate chuckled.

“Your mom always laughed at that.”

They smiled, remembering. Just sat there a minute. Then Scupper said he’d wash up while Tate did his homework. In his room, scanning through the poetry book for one to read in class, Tate found a poem by Thomas Moore:

. . . she’s gone to the Lake of the Dismal Swamp,

Where, all night long, by a fire-fly lamp,

She paddles her white canoe.

And her fire-fly lamp I soon shall see,

And her paddle I soon shall hear;

Long and loving our life shall be,

And I’ll hide the maid in a cypress tree,

When the footstep of death is near.

The words made him think of Kya, Jodie’s little sister. She’d seemed so small and alone in the marsh’s big sweep. He imagined his own sister lost out there. His dad was right—poems made you feel something.

7.

The Fishing Season

1952

That evening, after the fishing boy led her home through the marsh, Kya sat cross-legged on her porch bed. Mist from the downpour eased through the patched-up screen, touching her face. She thought about the boy. Kind yet strong, like Jodie. The only people she ever

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