Warm Bodies Page 0,45

to spare, then we taught them how to read and write, to reason and relate and understand their world. We tried hard at first, there was much hope and faith, but it was a steep hill to climb in the rain, and many slid to the base.

I notice the maps in these memories are slightly outdated; the street they're calling Jewel has been renamed. The sign is newer, a fresh primary green, and instead of a visual icon it has an actual word printed on it. Intrigued, I turn at this intersection and approach an atypically wide metal building. Julie's scent is still distant, so I know I shouldn't stop, but the pale light coming through the windows seems to prick some wordless anguish in my inner voices. As I press my nose against the glass, their musings go quiet.

A large, wide-open room. Row upon row of white metal tables under fluorescent lights. Dozens of children, all younger than ten, divided by row into project groups: a row repairing generators, a row treating gasoline, a row cleaning rifles, sharpening knives, stitching wounds. And at the edge, very near the window I'm staring through: a row dissecting cadavers. Except of course they aren't cadavers. As an eight-year-old girl in blonde pigtails peels the flesh away from her subject's mouth, revealing the crooked grin underneath, its eyes flick open and it looks around, struggles briefly against its restraints, then relaxes, looking weary and bored. It glances towards my window and we make brief eye contact, just before the girl cuts out its eyes.

We tried to make a beautiful world here, the voices mumble. There were those who saw the end of civilisation as an opportunity to start over, to undo the errors of history - to relive mankind's awkward adolescence with all the wisdom of our modern age. But everything was happening so fast.

I hear the noise of a violent scuffle from the other end of the building, shoes scraping against concrete, elbows banging sheet metal. Then a low, wet groan. I traverse the building, searching for a better viewpoint.

Outside our walls were hordes of men and monsters eager to steal what we had, and inside was our own mad stew, so many cultures and languages and incompatible values packed into one tiny box. Our world was too small to share peacefully; consensus never came, harmony was impossible. So we adjusted our goals.

Through another window I see a big open space like a warehouse, dimly lit and scattered with broken cars and chunks of debris as if simulating the outer city landscape. A crowd of older kids surrounds a corral of chain-link fencing and concrete freeway barriers. It resembles the 'free speech zones' once used to contain protesters outside political rallies, but instead of being crammed full of sign-waving dissidents, this cage is occupied by just four figures: a teenage boy armoured head to toe in police riot gear, and three badly desiccated Dead.

Can the Dark Ages' doctors be blamed for their methods? The bloodletting, the leeches, the holes in skulls? They were feeling their way blind, grasping at mysteries in a world without science, but the plague was upon them; they had to do something. When our turn came, it was no different. Despite all our technology and enlightenment, our laser scalpels and social services, it was no different. We were just as blind and just as desperate.

I can tell by the way they stagger that the Dead in this arena are starving. They must know where they are and what's going to happen to them, but they are far beyond what little self-control they ever had. They lunge for the boy and he aims his shotgun.

The outside world had already sunk under a sea of blood, and now those waves were lapping over our last stronghold - we had to shore up the walls. We realised that the closest we'd ever get to objective truth was the belief of the majority, so we elected the majority and ignored the other voices. We appointed generals and contractors, police and engineers; we discarded every inessential ornament. We smelted our ideals under great heat and pressure until the soft parts burned away, and what emerged was a tempered frame rigid enough to endure the world we'd created.

'Wrong!' the instructor shouts at the boy in the cage as the boy fires into the advancing Dead, blowing holes in their chests and blasting off fingers and feet. 'Get the head! Forget the

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