The Walking Dead_ The Road to Woodbury - By Robert Kirkman Page 0,116
looks up at him.
“I understand.”
* * *
“LADIES AND GENTLEMEN!” The nasally voice of the farm kid crackles through the arena’s PA system, echoing out over the chaotic scene behind the chain-link barrier. The tight knot of spectators has scattered across the stands, although not a single audience member has departed the stadium. Some of them lie on their backs, drunk, staring at the moonless night sky. Others pass bottles of hooch back and forth, attempting to numb the horrors of the mayhem they have just witnessed across the infield.
Some of the drunker patrons are throwing trash and empty bottles into the arena, tormenting the captive biters, who flail impotently on their chains, their rotting lips dripping with black drool. The two dead combatants lie in heaps just out of reach of the zombies, as the crowd jeers and catcalls. This has been going on for almost an hour.
The amplified voice crackles: “WE HAVE A SPECIAL ANNOUNCEMENT FOR YOU FROM THE GOVERNOR!”
This news gets their attention, and the cacophony of yelps and whoops and whistles dies down. The forty or so spectators awkwardly return to their front-row seats, some of them tripping on drunken feet. Within minutes the entire crowd has coalesced down front, behind the cyclone-fence barricade that once protected race fans from spinouts and flaming tires flying off the track.
“PUT YOUR HANDS TOGETHER FOR OUR FEARLESS LEADER, THE GOVERNOR!”
From the middle gangway, like a ghost, the long-coated figure emerges from the shadows into the cold vapor of calcium lights, blood stippled and muddy, his coattails flagging in the wind, a Trojan commander returning from the siege of Troy. Striding out to the center of the infield, standing amid the expired guardsmen, he whips the mike cord behind him, raises the mike, and booms into it: “FRIENDS, YOU ARE ALL HERE BECAUSE OF FATE … FATE HAS BROUGHT US TOGETHER … AND IT IS OUR FATE TO SURVIVE THIS PLAGUE TOGETHER!”
The crowd, most of them drunk, lets out an intoxicated cheer.
“IT IS ALSO MY FATE TO BE YOUR LEADER … AND I ACCEPT THAT ROLE WITH PRIDE! AND ANY SON OF A BITCH WHO DOESN’T LIKE IT CAN COME TAKE IT AWAY! ANYTIME! YOU KNOW WHERE TO FIND ME! ANY TAKERS OUT THERE? ANYBODY GOT ENOUGH SAND TO KEEP THIS TOWN SAFE?”
The drunken voices fade. The faces behind the chain link go slack. He’s got their attention now. The wind in the high gantries punctuates the silence.
“EACH AND EVERY ONE OF YOU TONIGHT SHALL BEAR WITNESS TO A NEW DAY IN WOODBURY! TONIGHT THE BARTER SYSTEM OFFICIALLY COMES TO AN END!”
Now the silence grips the arena like a pall. The spectators do not expect this, their heads cocked as though hanging on every word.
“FROM NOW ON, SUPPLIES WILL BE GATHERED FOR THE GOOD OF ALL! AND THEY WILL BE DISTRIBUTED EQUALLY! THIS IS HOW PEOPLE WILL EARN THEIR WAY INTO OUR COMMUNITY! BY GATHERING SUPPLIES! BY BENEFITING THE COMMON GOOD!”
One older gentleman a few rows above the others stands on wobbly knees, his Salvation Army topcoat buffeting in the wind, and he begins to clap, nodding his head, his grizzled jaw jutting proudly.
“THESE POLICY CHANGES WILL BE STRICTLY ENFORCED! ANYONE CAUGHT TRADING FAVORS OF ANY SORT IN RETURN FOR GOODS WILL BE FORCED TO FIGHT IN THE RING OF DEATH AS PUNISHMENT!” The governor pauses, scanning the crowd, letting this sink in. “WE ARE NOT BARBARIANS! WE TAKE CARE OF OUR OWN! WE! ARE! OUR BROTHERS’ KEEPERS!!”
Now more and more of the onlookers stand and begin to applaud, some of them spontaneously sobering up, finding their voices, cheering as though in a church service responding to a hallelujah.
The Governor’s sermon strikes a climactic chord: “THIS WILL BE A NEW ERA OF WOODBURY WORKING TOGETHER! TO FORM A HAPPIER, HEALTHIER, MORE COHESIVE COMMUNITY!!”
By this point, nearly every spectator has risen to their feet, and the roar of their voices—a sound not unlike an old-fashioned tent revival meeting—reverberates up into the upper tiers and echoes across the night sky. People are clapping, hollering their approval, and exchanging glances of relief and pleasant surprise … and perhaps even hope.
The fact is, from this distance, behind the cyclone fence, most of them glassy-eyed from drinking all night, the spectators do not notice the bloodthirsty glint behind the dark eyes of their benevolent leader.
* * *
The next morning, the slender young woman in the ponytail finds herself down in the fetid, reeking atmosphere of the abattoir under the stadium.
Clad in her bulky Georgia Tech sweatshirt, antique jewelry, and ripped jeans, Lilly does not shake, does not feel compelled to chew her fingernails, does not in fact feel any nervous tension or repulsion at the disgusting task to which she’s been assigned as a sort of slap on the wrist for her complicity in the coup attempt.
She in fact feels nothing but a low simmering rage as she crouches in the dim light of the subterranean chamber, wielding the eighteen-inch Teflon-coated axe.
She brings the axe down hard and true, chopping the gristle of the Swede’s severed leg, which is stretched across the floor drain. Making a wet popping noise like a pressurized lid opening, the blade slices through the knee joint as a chef’s knife might notch a raw drumstick from a chicken thigh. The backsplash of blood spits up at Lilly, stippling her collar and chin. She barely notices it as she tosses the two sections of human limb into the plastic garbage bin next to her.
The bin contains parts of the Swede, Broyles, Manning, and Zorn—a caldron of single-serving-sized entrails, organs, hairy scalps, slimy white ball joints, and severed limbs—collected and stored on ice to keep the games running, keep the arena zombies complacent.
Lilly wears rubber garden gloves—which have turned a dark shade of purple over the course of the last hour—and she has allowed her anger to fuel her axe blows. She has dismantled three bodies with the greatest of ease, barely noticing the other two men—Martinez and Stevens—laboring in opposite corners of the filthy, windowless, gore-stained cinder-block chamber.
No words are exchanged among the shunned, and the work goes on unabated for another half an hour when, sometime around noon, the sound of muffled steps coming from out in the corridor on the other side of the door registers in Lilly’s deafened ears. The lock clicks, and the door opens.
“Just wanted to check on your progress,” the Governor announces, coming into the room in a smart leather vest, a pistol holstered on his thigh, and his hair pulled back and away from his chiseled features. “Very impressive work,” he says, coming over to Lilly’s bin and glancing down at the gelatinous contents. “Might need to procure a few morsels later for feeding purposes.”
Lilly doesn’t look up. She keeps chopping, tossing, and wiping the edge of her blade on her jeans. At last she pulls an entire upper body cavity, which still has the cadaver’s head attached, across her chopping area.
“Carry on, troops,” the Governor says with an approving nod, before turning and heading for the door. As he slips out of the room, Lilly murmurs something under her breath that no else can hear.
The voice in her head—firing across the synapses in her brain—reaches her lips on barely a whisper, directed at the Governor.
“Soon … when you’re not needed … this will be you.”
She brings the axe down again and again.
Also by Robert Kirkman and Jay Bonansinga
The Walking Dead: Rise of the Governor
ABOUT THE AUTHORS
Robert Kirkman is best known for his work on The Walking Dead and Invincible for Image Comics and SKYBOUND. He is one of the five partners of Image Comics and is an executive producer and writer on AMC’s critically acclaimed television series The Walking Dead.
Jay Bonansinga is a critically acclaimed horror novelist whose works include Perfect Victim, Shattered, Twisted, and Frozen. His debut novel, The Black Mariah, was a finalist for a Bram Stoker Award.
This is a work of fiction. All of the characters, organizations, and events portrayed in this novel are either products of the authors’ imaginations or are used fictitiously.
THOMAS DUNNE BOOKS.
An imprint of St. Martin’s Press.
THE WALKING DEAD: THE ROAD TO WOODBURY. Copyright © 2012 by Robert Kirkman and Jay Bonansinga. All rights reserved. For information, address St. Martin’s Press, 175 Fifth Avenue, New York, N.Y. 10010.
Cover design by Lisa Marie Pompilio
Cover photographs: girl by Shane Rebenschied; background by Christophe Dessaigne
The Library of Congress has cataloged the print edition as follows:
Kirkman, Robert.
The road to Woodbury / Robert Kirkman and Jay Bonansinga. — 1st ed.
p. cm. — (The walking dead series; no. 2 of 3)
ISBN 978-0-312-54774-5 (hardcover)
ISBN 978-1-250-01344-6 (e-book)
1. Zombies—Fiction. 2. Atlanta Region (Ga.)—Fiction. I. Bonansinga, Jay R. II. Title.
PS3611.I7555R63 2012
813'.6—dc23
2012028306
E-ISBN 9781250013446
First Edition: October 2012