The Walking Dead_ The Road to Woodbury - By Robert Kirkman Page 0,113

his mouth and nose to filter the acrid fumes of dead flesh cooking in the napalmlike maelstrom. He is followed closely by Lilly, who covers her mouth with one hand, and fires off three quick shots with her Ruger in the other hand, taking down a few stray zombies in their path.

They make it to the cab, throw the door open, and climb in—pushing Broyles’s contorted, bloody remains aside—and within seconds the rear wheels are digging in, and the vehicle is launching out of there.

The van bulldozes through files of zombies, turning the upright cadavers into putrefied jelly on the pavement, cutting a swath toward a hairpin turn that looms ahead of them. And when they reach the tight curve, Gabe executes the last phase of the escape.

He yanks the wheel, and the van careens off the road and up the side of a wooded hill.

The rough terrain taxes the tires and suspension, but Gabe keeps the foot feed pinned, and the rear-wheel drive churns through the soft muddy floor of the hill, fishtailing wildly, nearly dumping the other three men out the gaping, jagged opening in the rear.

When they reach the crest of the hill, Gabe slams on the brakes and the van skids to a stop.

It takes a minute to aim the mortar launcher, a squat iron cylinder that Martinez hastily jury-rigged to a machine-gun mount. The muzzle is pointed upward at a forty-five-degree angle. By the time they’re ready to fire, at least two hundred zombies have started shambling up the hill toward the van, drawn to the noise and headlights.

Martinez primes the launcher and touches off the ignition button.

The mortar booms, the projectile rocketing skyward, arcing out over the valley, the tracery of its tail like a glowing neon contrail. The explosive shell lands smack-dab in the middle of the sea of walking dead. At least four hundred yards from the van, the mini mushroom cloud of flame is seen a few milliseconds before the FFOOOMP of its impact is heard, and the flash that follows turns the underbelly of the night sky a deep, hot DayGlo orange.

Flaming particles blossom into the heavens, a mixture of dirt, debris, and dead tissue, the shock wave of fire rolling at least a hundred yards in all directions, burning hundreds of biters into ash. A vast autoclave could not cremate the dead faster or more thoroughly.

The remaining walkers, drawn away from the hill by the fiery spectacle, awkwardly turn and drag themselves toward the light.

Away from Woodbury.

* * *

They return to town on hobbling wheels, a cracked rear transaxle, shattered windows, and blown doors. They keep gazing out the back for indications of the phenomenal herd, signs of being followed, but other than a few wayward stragglers stumbling along the edges of the orchards, only the orange glow on the western horizon reflects the aftermath of the swarm.

Nobody sees Gabe silently pass the Governor a pearl-handled .45 semiautomatic behind Martinez’s back until it’s too late. “We got unfinished business, you and me,” the Governor blurts suddenly, pressing the muzzle against the back of Martinez’s neck as the van rumbles around a corner.

Martinez lets out one long, anguished sigh. “Get it over with.”

“You got a short memory, son,” the Governor says. “This is the kind of shit happens outside these walls. I’m not gonna waste you, Martinez … not yet, at least … right now we need each other.”

Martinez says nothing, just looks down at the iron corrugations of the floor and waits for his life to come to an end.

They enter the village from the west, and Gabe pulls around in front of the arena and slides into a parking place reserved for service vehicles. Crowd noises still echo from the stands, although from the sound of the catcalls and whistles, the fights have probably deteriorated into chaos. The show’s eccentric emcee has been missing in action for over an hour … but nobody has had the wherewithal to leave.

Gabe and Lilly get out of the cab and walk around to the rear hatch. Filmed in a layer of gore, her face spackled with blood spray, Lilly feels a skin-prickling sense of unease, and she puts her hand on the grip of her Ruger, which is wedged behind her belt. She’s not thinking straight. She feels as though she’s half asleep, sluggish with shock, groggy and breathless.

When she turns the corner at the rear of the van she sees Martinez standing without a weapon, his arms soot-covered from the