an iron bell inscribed around in letters of gold. Father Ballo placed the naming spell on a sheet of parchment in front of me: the incantation was nine long tangled words, with detailed annotations that gave precise instructions on the pronunciation of every syllable, and how one ought to stress each word.
I muttered it over to myself, trying to feel out the important syllables, but they sat inert on my tongue: it just didn’t want to come apart. “Well?” Ragostok said, impatiently.
I slogged my awkward tongue-twisted way through the entire incantation and started to put the powder in the water, a pinch here and there. The magic of the spell gathered sluggish and reluctant. I made a brownish mess of the water, spilled some of all three kinds of powder on my skirts, and finally gave up trying to make anything better. I lit the powder, squinted through the cloud of smoke, and groped for the bell.
Then I let the magic go, and the bell clanged in my hand: a long deep note that came strangely out of so small a bell; it sounded like the great church bell in the cathedral that rang matins every morning over the city, a sound that filled the room. The metal hummed beneath my fingers as I put it down and looked around expectantly; but the name didn’t write itself on the parchment, or appear in letters of flame, or anywhere at all.
The wizards were all looking annoyed, although for once not at me; Father Ballo said to Alosha in some irritation, “Was that meant for a joke?”
She was frowning; she reached out to the bell and picked it up and turned it over: there wasn’t a clapper inside it at all. They all stared into it, and I stared at them. “Where will the name come from?” I asked.
“The bell should have sounded it,” Alosha said shortly. She put it down; it clanged again softly, an echo of that deep note, and she glared at it.
No one knew what to do with me, after that. After they all stood in silence for a moment while Father Ballo made noises about the irregularity, the Falcon—he still seemed determined to be amused by everything to do with me—said lightly, “Perhaps our new witch should choose a name for herself.”
Ragostok said, “I think it more appropriate we choose a name for her.”
I knew better than to let him have any part in picking my name: surely I’d end up as the Piglet or the Earthworm. But it all felt wrong to me, anyway. I’d gone along with the elaborate dance of the thing, but I knew abruptly I didn’t want to change my name for a new one that trailed magic around behind it, any more than I wanted to be in this fancy gown with its long dragging train that picked up dirt from the hallways. I took a deep breath and said, “There’s nothing wrong with the name I already have.”
So I was presented to the court as Agnieszka of Dvernik.
I half-regretted my refusal during the presentation. Ragostok had told me, I think meaning to be nasty, that the ceremony would only be a little thing, and that the king didn’t have much time to spare for such events when they came out of the proper season. It seems ordinarily new wizards were put onto the list in the spring and the fall, at the same time as the new knights. If he was telling the truth, I could only be grateful for it, standing at the end of that great throne room with a long red carpet like the lolling tongue of some monstrous beast stretched out towards me, and crowds of glittering nobility on either side of it, all of them staring at me and whispering to one another behind their voluminous sleeves.
I didn’t feel like my real self at all; I would almost have liked another name on me then, a disguise to go with my clumsy, wide-skirted dress. I set my teeth and picked my way down the endless hall until I came to the dais and knelt at the king’s feet. He still looked weary, as he had in the courtyard when we’d come. The dark gold crown banded his forehead, and it must have been an enormous weight, but it wasn’t that simple kind of tiredness. His face beneath his brown-and-grey beard had lines like Krystyna’s, the lines of someone who couldn’t rest for worrying about the